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His name was Buck.

He wasn't some mad scientist planning to end the world, but he took out Superman in one fell swoop.

In May 1995, Christopher Reeve, the actor who most successfully lent his face to the most famous comic book superhero, was riding his

beautiful brown thoroughbred

when suddenly, in the middle of a competition in Virginia, the jack stopped in his tracks. dry prostrating the man of steel in a wheelchair forever.

An inch to the left would have killed him;

one to the right, would have allowed him to continue competing.

In all the intrahistory of the world of superheroes, there is no worse defeat than this one that happened outside of fiction, at a time when

the Apollonian interpreter was finally trying to take off the blue tights and the red cape

to cling to more substantial characters. .

May his heirs never hear us, but there is an ironic beauty in this terrible tragedy.

The title of his biography,

Still me

("I'm still me"), corroborates this.

Falls from the horse and other fatal outcomes aside, because Reeve was not the only actor cursed by the character, the history of Superman, since his birth, is an ups and downs of triumphs and failures, with some failures that leave the toxicity of the kryptonite

at the height of a cotton candy

.

Despite being the king of all superheroes and the most perfect in his execution - he is the only one who does not need to disguise himself, since his true skin is that of the superman

- his trajectory is sometimes paired with that of the clown sad

.

The thing already started badly: New York, the 30s, a great depression.

In a room almost in darkness, bathed only by the dim light of a reading lamp, two men retouch some pages.

They are Siegel and Shuster, writer and cartoonist, and they have just given birth to the man of steel,

a bald villain

willing, like anyone else, to dominate the planet.

They harbored the illusion that his telepathic powers would make the kids of the time fall in love, but the publishers gave them pumpkins.

Faced with the impossibility of continuing to publish it, they had to turn their alien around - many times equated with an illegal immigrant, given the Jewish origin of his parents - to

turn him into a sanctimonious person with opposite intentions

.

He still did not fly, but he did have super strength, super speed, a Greek air at the height of a Hercules or an Achilles and a certain

Christic

character in that

his story is the same as that of Jesus, a child saved by the hair of the slaughter

of Herod, a being from another world raised by a humble marriage.

The guy came to save humans, hence his success: he would be a

mandao

, a hero of the underdogs capable of adapting to any real political situation.

What would he free us from?

Of what he played

.

From the threat of war, from economic misery, from nothing.

From the 20th century, come on.

The duo of creators hit the target, this time, and no one ever dared to question an euphoric creature, born to comfort us, to be

a mirror of the vanity of the West

, a blender of our dreams and a compendium of sycalypse studied ad nauseam, analyzed by the most prestigious intellectuals.

"In this universe of ours, with its wealth of errors and legends, historical data and false information,

an absolute truth

is the fact that Superman is Clark Kent. Everything else is always open to debate," wrote Umberto Eco. By the way, for losers, its creators, who sold the rights for a measly 100 dollars.

But, as we said above,

new hosts awaited

behind the skyscrapers: those of celluloid.

For starters, there are more scripts gathering dust in Hollywood drawers than blockbuster productions.

The first cinematographic stage, which spans a decade, since 1978, is perhaps the best and received in its first installment applause for its technique, the direction of Richard Donner and the incontestable and iconic soundtrack by John Williams (

chan, chan, chaaan

. ..).

However, he was not free from problems: the director was fired in the second film, the

screenwriter who fell by the wayside in the third -and we are talking about nothing less than Mario Puzo-

and a critic who has no mercy with the last two productions.

After that, Superman does not return until 2006, leaving behind a pathetic serenade of cancellations: the fifth installment is left in the air due to the bankruptcy of Cannon Films, Warner recovers the rights but never releases the return of the character planned for 1993 because his creators had no better idea than to kill him in the script.

Later, Jon Peters devised

Superman Lives

,

with a text by a Kevin Smith pissed off at the production company's tolls

, directed by Tim Burton and, beware, Nicolas Cage in the role of the man of steel.

A joke, a

Supermal

that never made it to theaters, just as the first

Batman vs.

Superman

, commissioned from JJ Abrams in 2002, who also did not carry out the subsequent

Superman: Flyby

due to lack of budget.

Success is finally taken up by Bryan Singer with

Superman Returns

, which in 2006, with an actor reminiscent of Reeve and a style inspired by Donner's, achieved 400 million dollars at the box office and a favorable review.

All that, however, seemed like little to Warner, so

the sequel never even got written

.

And we come to the current stage, when the same production company decides to once again trust the man who is neither a bird nor a plane, creating a new franchise to which Zack Snyder gives

the dark touch that Nolan's solemnity had been applying to his 'batman'

.

668 million box office for

Man of Steel

and a delivery a year later,

Batman vs Superman

, which, however, left a trail of criticism and protests over the departure of Snyder, who was going through a difficult personal time, and his replacement by Joss Whedon in post-production.

The film

inaugurates a stage of absolute power for the fans

, who manage to make the Snyder cut premiere on HBO in March 2021 with good reception despite its infinite footage.

The hero, in an animated version and played by the beloved John Krasinski, flies these days in theaters with

DC League of Superpets

, whose premiere has been less than expected.

Nothing, boy, there is no way.

While we wait for the next adventures of the only hero whose name has entered the dictionary (

supermán, with a tilde, designates a man with superhuman qualities according to the DRAE

), we recommend a wander through the hundreds of absurd versions that he has also left and that would deserve own item.

Indian and Turkish supermen, apocryphal from the flea market

, such as the Hispanic

Supersonic Man

, by Juan Piquer Simón... But, hey, to Caesar what is Caesar's: he will lack irony, he will display an almost unpleasant perfection, but he is infinite.

Each new success or each new disaster manages to perpetuate the myth of him and strike down the idea of ​​his expiration.

Next delivery:

come on heroines

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