Rosalía in Madrid with D for collective delirium

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With I for intensity, with D for phase shift, with E for emotion, with V for a loud voice, with C for red leather from the boots to the bullfighter, with G for

(in the box), with M for butterfly and with A for wasp.

"With Z for bitch," she said before the collective delirium.

And above all with virtual reality V, in which 15,000 people have gathered tonight as if their entrance to the

were the safe-conduct to a supersonic hallucination through which all the extremes that fit in this music that It is danced jumping and shaking like hell.

With R for

the artist (the star) in the center of a stage with a catwalk signature that conveys the sensation of an augmented reality screen.

The concert starts with the sound of a motorcycle engine, but it could be that of a crazy rocket in which the public, an infinite mass of mobile phones and liquefied adrenaline and hotter than a churrero stick, is going to be ejected to the unknown.

Up, down, up, down.

The helmets of light as if they were virtual reality, the moment of the chewing gum turned into a viral meme, the sunglasses in the bachata of perdition... not even the intermittent disconnection of the microphone reduced the noise emitted from the public, made up mostly of twentysomethings .

"Whenever I come to

I feel very loved, you give me a lot of love (shouts). The truth is that I have the best fans in the world (shouts), whatever I do I always feel supported and I feel blessed for it (SHOUTS )," Rosalia said.

Everything happens very fast, we go through screens like crazy, the songs push each other.

Rosalía takes no prisoners, she only wants devotees, and the audience bubbles, shaken by emotions.

Not so fast.

I want more.

I like it.

It hurts.

It's too much.

More than 30 songs make up the repertoire of the

the tour that began two weeks ago in

and that is a fantastic modern pop show.

Show.

Pop. Modern.

In total there will be more than 165,000 spectators who will attend the 12 concerts of the artist in

where this world tour has begun that during 2022 will pass through 16 countries, seven of them European and seven Latin American, to which the

the country where it will offer 14 performances and that has boosted the global stardom of Rosalía and all the Rosalías contained in it.

There is no group or musicians on stage, just a

cameraman who turns the concert live and broadcast at the same time, and eight dancers with whom he constantly interacts (subliminal message: this is my gang, my gang is my family, I I am different, and they understand me).

Immediately, he is hanging a

black

then he jumps from mutant hyperpop to flamenco, to ballads with a weightless atmosphere like electric steam, to disco reggaeton (he linked the dancefloor smashers

and

with

....

Two and a half years ago, a clear sense of the end of the cycle spread through this same WiZink Center when Rosalía closed the tour of

Tonight was the party for the new Rosalía, weirder, more histrionic, more modern: almost all of

's songs were played and only two of

Querer (

and

In addition, it included some of her most outstanding collaborations such as

by

or

by

Three new songs were also played, among which

an instant hit that has a mambo rhythm (a "violent mambo"), between a syncopated piano and a disco bass drum with which to shake buttocks.

Scrupulously choreographed, conceived as an 87-minute pop roller coaster without a moment's pause, Rosalía's show culminated, the thunderous bass drum, the lights blinking on the verge of an epileptic fit, with

(the entire stands in motion),

and with D for collective delirium.

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