China News Service, Beijing, June 26th (Reporter Ying Ni) "The Context of the Context - 2022 Annual Exhibition of Chinese Freehand Oil Painting School Works" is being exhibited at the Guan Shanyue Art Museum in Shenzhen, the chairman of the China Artists Association and the Central Academy of Fine Arts. Dean Fan Di'an serves as the general planner.
A total of 131 works by 131 artists were exhibited, attracting more young artists to participate in the exhibition through the model of "call for contributions + special invited artists".
"In the past ten years, the majority of oil painters have adhered to the people-centered creative orientation, worked hard to go deep into life, felt the changes of the times, grasped the theme of the times, and showed the creative spirit of courage and perseverance." Fan Di'an said that many oil painters went to the vast land of China, He devotes himself to the embrace of nature and life, expressing the beauty of mountains and rivers and the life atmosphere of the new era. In the study of oil painting language, he pays attention to the integration of Chinese artistic traditions, and explores the language construction of "Chinese oil painting", forming a trend of academic advancement.
Photo courtesy of Shenzhen Guanshanyue Art Museum at the exhibition hall
"From the 'Integration of Chinese and Western' advocated by Lin Fengmian who returned from France in the 1920s, to the 'nationalization of oil painting' proposed by artists who stayed in the Soviet Union represented by Luo Gongliu in the 1960s, and from the beginning of the 21st century to the new era, China has Oil painters adhere to the people-centered creative concept. On the one hand, they are footed on the land of China and face the rich real life of the new era. It has a vivid sense of the times and reality, which has formed the rich achievements of the Chinese freehand oil painting school." Chen Xiangbo, director of Shenzhen Guanshanyue Art Museum and chairman of Shenzhen Artists Association, said that freehand oil painting is in its own national culture. From the standpoint, through the use of oil painting materials and other media, with Chinese freehand aesthetics as the core, inject Chinese artistic spirit and spirit, create Chinese oil paintings with Chinese national spirit and Chinese cultural style, and promote the creative transformation and innovation of Chinese excellent traditional culture. develop.
Photo courtesy of Shenzhen Guanshanyue Art Museum at the exhibition hall
"Passing on the Context - 2022 Annual Exhibition of Chinese Freehand Oil Painting School" is one of the important events for the 25th anniversary of the establishment of Shenzhen Guanshanyue Art Museum.
2022 is the 25th anniversary of the establishment of Shenzhen Guan Shanyue Art Museum and the 110th anniversary of Mr. Guan Shanyue's birth.
The 25th anniversary series of activities, with the theme of "Co-creation and Sharing·Artistic Beauty", will focus on the launch of four boutique exhibitions, two cultural strategic cooperation projects, a digital art museum, and an art museum night, and 25 events will be jointly launched. The above-mentioned series of catholic activities such as Shanyue School provide the public with a more diverse cultural and artistic experience.
Since the first annual exhibition of the freehand oil painting school was held in 2015, this year is already the seventh session of the "contextual inheritance".
The exhibition is hosted by Shenzhen Guanshanyue Art Museum and Beijing Contemporary Chinese Freehand Oil Painting Research Institute and will last until July 3.
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