In the hit drama "Home in the Heart", he encountered the problem of buying a house again, revealing the appearance of an ideal life; he admitted that there was still confusion in the performance
Haiqing: When every role comes, I am like a baby
A "Double-Sided Tape" made Haiqing the "spokesperson of the daughter-in-law", and the director of the play was Teng Huatao.
In the hit drama "Home of the Heart", Haiqing once again performed the "difficulty of buying a house" for "daughter-in-law from other places".
Haiqing also hesitated to take on the role of "Feng Xiaoqin" (the role in "Home of the Heart") more than ten years after the hit drama "Dwelling", and finally, out of her trust in director Teng Huatao and her love for the script, she took over this role.
Haiqing said that she likes Feng Xiaoqin very much, "She is very suitable for the line 'Xiaoqiang who can't be beaten to death'. She is very like a superwoman, and she is very flamboyant."
Although since his debut, he has created many screen images that have left a deep impression on the audience, and he is a well-known "acting school", but in an exclusive interview with a reporter from the Beijing News, Haiqing admitted frankly, "I can create characters that are exciting enough." For her, it was still a problem.
original intention
Due to Teng Huatao and the script, the next "Heart Home"
Haiqing came from a family of Kunqu Opera. He studied dance at the age of six, and was chosen to be a young actor at the age of seven.
Since then, she has aspired to be an actress, and she was successfully admitted to the Beijing Film Academy.
In 2006, Haiqing starred in the TV series "Double-sided Adhesive" directed by Teng Huatao, playing the shrewd and capable heroine "Hu Lijuan", and has since become "the spokesperson of the daughter-in-law".
After "Double Adhesive Tape", she has successively performed works such as "Dwelling" and "Beautiful Times of Daughter-in-law", and has created many capable, critical and strong "daughter-in-law" roles.
Haiqing didn't want to pick up "Home in the Heart" at first. Before that, she and director Teng Huatao collaborated on four works.
When Teng Huatao found her, she had concerns. The "Dwelling" written by Liuliu was also about buying a house. It was a bit repetitive on the point of "buying a house". Although many details were different, the two works were from other places. When women go to Shanghai to buy a house and work hard in Shanghai, the novelty is not so strong.
Haiqing said she didn't want to act, so Teng Huatao talked to her about the script.
In the end, she decided to take on the role because of Teng Huatao and the script, "This is Teng Huatao's sincere work returning to the small screen after many years, so I am very willing to cooperate with him again."
Haiqing recalled that at the filming site, if she felt that there was a problem with the filming, the director would come over and say that there was a problem; if she felt that this was a sure thing, the director would basically call it out, and the two had a good tacit understanding of cooperation high.
Role
It is difficult to perform Feng Xiaoqin above the audience's expectations
In "House of the Heart", Feng Xiaoqin is a Shanghai daughter-in-law from Anhui. She "hopes her husband to become a dragon" and "hopes her son to become a dragon", and devotes all her energy to her family.
In Haiqing's view, the challenge to herself in playing Feng Xiaoqin is also "repetitiveness". Playing such a role will also cause some fatigue to her creation. She will instinctively hope that she will not feel fatigued and unfamiliar with this kind of role. Inherent and decadent experience to create, "I can play such a role, but whether I can perform an amazing feeling is my biggest obstacle." In the eyes of others, Feng Xiaoqin belongs to Haiqing's "comfort zone", however, this is also "Difficult mode", if someone else plays the role, the audience's expectations may not be so high, "I want to perform above the audience's expectations, it's very difficult."
Haiqing's understanding of Feng Xiaoqin is, "I eat according to my ability. I don't steal or rob. What I deserve is mine, and I don't want what I don't deserve." After experiencing setbacks in life, Feng Xiaoqin gave a good answer. , she wants to change her destiny through her own efforts.
As for Feng Xiaoqin's shrewdness and calculus, it is also caused by the current situation of knowledge and cognition brought to her by her family of origin. "But her transformation in the later period is obvious, and she must be given a positive evaluation."
Haiqing said that youth is always accompanied by hard work. Some people work hard with their academic qualifications, some people work hard with their family relationships, and some people work hard with their own abilities. Feng Xiaoqin does not have a high degree of education. At that time, in order to take care of his younger brothers and sisters , did not read in junior high school, "but she is a very brainy person and hopes to have a house of her own. In my opinion, these calculations are understandable."
In the play, after Feng Xiaoqin's husband died unexpectedly, a scene in which Feng Xiaoqin and his eldest sister Gu Qingyu (Tong Yao) quarreled unexpectedly "out of the circle".
In Haiqing's view, Feng Xiaoqin and Gu Qingyu represent people from different family backgrounds and have a strong sense of boundaries, so the vague hostility between the two has a lot to do with their growing environment.
Gu Qingyu is a native of Shanghai and is worried about being calculated and occupied. Feng Xiaoqin hopes to occupy a place in Shanghai, and they will naturally have some hostile contradictions.
"In addition, the death of Feng Xiaoqin's husband has pushed this relationship to the top, so this contradictory setting is inherently antagonistic."
Performance
The most delicious meal is the takeaway's box lunch
After experiencing the unexpected death of her husband, Feng Xiaoqin experienced despair, but she stood up again and found a career that reflects her own value.
In order to make a living, in addition to taking care of her children and family, she also gritted her teeth to deliver food.
The scene of "Feng Xiaoqin asked his peers how to grab an order while eating while drinking water while he was delivering food" was swiped on social media, and many people sighed that Hai Qing's performance was too down-to-earth.
Haiqing especially likes the scenes of Feng Xiaoqin delivering food, so she observed a lot of delivery workers, "You will find that it is ugly for delivery workers to run, because they often deliver soup, and they are afraid of spilling customers and giving bad reviews. If you run too slowly, you won’t be able to catch your money in time.” Haiqing has to learn how the deliveryman takes things and how to run. She likes this role very much, “I am more attractive than the roles in the office.”
In the play, a scene of Feng Xiaoqin delivering food happened just in time for the rain. Haiqing was also running around to shoot all day, so hungry that he was so hungry that Feng Xiaoqin's lunch box was prepared for her, "That's what I've eaten here. The most fragrant lunch in this group is really fragrant, it is a serving of beans and tomatoes, vegetarian, but I finished the whole box of takeout. The director stopped, I am still eating." Haiqing sighed At that time, I felt that life is enough to eat such a meal.
house
Only when the heart is at ease can the house be considered a home
In the first few episodes of "House of the Heart", Feng Xiaoqin, who has been living in her father-in-law's big house, made a fuss about asking her husband to borrow money to buy a house.
"Who doesn't calculate for his own life?" Haiqing, from Feng Xiaoqin's point of view, can understand her desire to have a foothold in Shanghai.
In her life, Haiqing did not buy a house in the first 20 years of working in Beijing, and countless people around her persuaded her.
"I think this is understandable, it's normal behavior. Feng Xiaoqin also came from a small city, and especially hopes to leave the old environment, so that younger brothers, sisters and children can have a bright future. She has the demeanor of an eldest sister like a mother."
Haiqing said that she is now helping many young people introduce objects, and most of them will ask about their educational background and hometown.
"We seem to think subconsciously that we have a house to have a home. People like me who have given birth to a house but haven't bought a house are considered a little bit of an alternative." Hai Qing said frankly that she only bought a house when her child was two or three years old, and It was her mother who asked her to buy it. "My mother said, you want to buy a house, but if you don't buy a house, where will your children live in the future? I said, live in a rented house. My mother said, that's not good, she doesn't agree. It's up to me. , in the future, I will drive an RV, bring my children, and live wherever I film. This is my ideal life."
In Haiqing's view, the house is important, but it's not that important. The most important thing is where you put your home in your heart. Sometimes even if you have a home and you feel uneasy, this home is not your home. "I think You have to really find what you want and find your own value. Feng Xiaoqin just lost her ego for a long time."
growing up
The daughter-in-law without the protagonist's halo is even more arresting
From the TV series "Dwelling", which caused social topics, to the popular family dramas such as "Beautiful Era of Daughter-in-law", "Little Farewell" and "Little Joy", the title of "national daughter-in-law" has always accompanied Haiqing.
She admitted that she was very happy with this title at first, and thought it was very fashionable, but later she felt that it did not represent herself. "After that, I feel that it doesn't matter, I just shoot the works I want to shoot."
Although Haiqing has acted in many life and family dramas in a broad sense, each drama has a different focus: "Beautiful Times of Daughter-in-law" focuses on the relationship between mother-in-law and daughter-in-law; "Little Farewell" and "Little Joy" focus on the relationship with children and husbands The relationship between the two; the plot of "Home of the Heart" is something that Haiqing has never encountered before. The conflicts between aunts and sisters often reach the point of incompatibility, and the dramatic tension is very strong.
During the filming, Haiqing also made some adjustments to Feng Xiaoqin's lines, so that a non-local woman spoke with a Shanghai accent, "because she subconsciously wants to integrate into Shanghai, just like some people are afraid of being looked down upon by others and feel that they are not. Shanghai people will deliberately cater to this city and the people who cater to this city." Hai Qing felt that Feng Xiaoqin would have a little bit of this feeling.
Compared with the previous role of daughter-in-law, Haiqing believes that Feng Xiaoqin does not have the aura of the protagonist. "The husband is dead, the house can't be bought, the children have to go to school, and there are a lot of things at home... Without those honors and miracles, it's just throwing you down. Into the dirt." This kind of role is more attractive to her, and she will have a stronger sense of hierarchy when she acts. "It really needs actors to fight it out one scene after another, so that the audience can believe that Feng Xiaoqin is going up step by step like this, not Innate script structure."
During the filming of "Home of the Heart", Haiqing also made up a tongue twister for Feng Xiaoqin, "large vegetable market, small vegetable market, vegetable market, square." She sighed that these scenes were "so comfortable", "As soon as I arrived at the vegetable market, I returned with a full reward. The breath of life is too strong to make you happy."
Own
Every breakthrough is not to prove anything
When Haiqing was filming "Dwelling", she felt that few people in her life were seaweeds, but most of them were Haiping, and she was more in love with this type of role: the characters are multi-faceted, selfish, sunny, and wrong.
Today, Haiqing feels that many people are Feng Xiaoqin.
As a native of Nanjing, Haiqing also hopes to gain a foothold and develop in Beijing when he arrives in Beijing.
She didn't think Feng Xiaoqin was humble, nor did she feel that she should look down at her.
Sometimes she even thinks, if she was Feng Xiaoqin, would she be able to turn around after experiencing the trough in life?
Can you be like her and flourish in the end?
Haiqing said that she respects and admires such people who work hard and live well, "I think Feng Xiaoqin is worthy of respect."
After many years of debut, Haiqing's acting skills have been recognized by the industry, and the audience is also good.
In fact, in addition to various types of "daughter-in-law" roles, Haiqing has also played many different characters over the years. In the 2010 movie "Orphan of Zhao", he tried ancient costumes, and in the 2013 movie "Beijing meets Seattle", "white" Hair Girl", an Alzheimer's patient in the 2017 TV series "Late Night Cafeteria", and a female war correspondent in the 2018 movie "Operation Red Sea", Haiqing has been trying to break through herself.
"When I get older, sometimes I feel that I won't have so many emotions without going through so many mountains and wading through so much water." She said that she didn't want to prove herself, but just wondered what the performance was all about. "Actually, my confusion is that sometimes I can't control the role very well, and I can't learn from some experiences. When each role comes, it is still like a baby, and it needs to be raised little by little, so 'every time It's still a problem for me to be able to create a wonderful character."
During the interview, Haiqing was inevitably asked how to balance family and career.
The frequency of her filming has not been very high, and she also has to face the consideration of family and children.
Asked what experience you can share?
"Try to deal with it," she said.
Written by version B02-B03/Liu Wei, chief reporter of the Beijing News