Writing paths
In the heat and dust of black London, with Bernardine Evaristo
Audio 03:46
The writer Bernardine Evaristo, winner of the 2019 Booker Prize for the novel “Fille, femme, autre”.
© Getty Images/David Levenson
By: Tirthankar Chanda Follow
9 mins
Winner of the 2019 Booker Prize with her masterful
Daughter, Woman, Other
, Bernardine Evaristo dominates British literature with her delightfully subversive writing.
The publication in French translation of
Mr. Loverman
, one of the previous novels by the Briton recounting the "coming out" of a Caribbean dandy in today's London, is a great opportunity to discover or rediscover the pen. to the thousand talents of this militant writer of the black cause.
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“
I write because I am fundamentally a storyteller.
It is my reason for being.
It's my oxygen.
I don't know what I would become if I were to one day lose this ability that gives me so much joy to imagine stories, drawing inspiration from the experiences and life stories of the men and women around me.
This is what gives meaning to my existence.
»
So says Bernardine Evaristo, the great lady of British letters.
With nine books to her credit, she is the author of an impressive, resolutely experimental body of work, made up of novels in verse, feminist stories, novels of manners, "road novel" and a memoir entitled
Manifesto
, her most recent publication. recent.
Her seventh novel
Mr. Loverman
, which has just been published in French translation, is carried by this assured writing, mixing poetry and prose and exploring the experience of the black diaspora, which has become the trademark of this author.
Born in 1959, from an Irish mother and a father of Nigerian origin, Bernardine Evaristo grew up in Woolwich, in a working-class suburb, south of London.
In her recent memoir, she recounts at length her experience of growing up in a mixed-race family, at a time when racial discrimination was not yet criminalized.
The novelist remembers that her maternal family had cut ties with her mother, because the latter had married a black man and that the panes of the windows of their Victorian pavilion were often broken by the children of the neighborhood who took malicious pleasure in throwing regularly throwing bricks around the house, hurling racial slurs.
The hostility of the neighbors had led the Evaristo parents to forbid their children to play in the street.
Screenwriter, poet and novelist
The salvation of the young Bernardine will come through the theater which she discovered at the age of 12 while accompanying her sister to rehearsals in a disused church.
She will train as an actress, before founding her own troupe, the Black Women's Theater, frustrated by the shortage of roles for actors of color on British stages.
"When I was a little girl, it was with relish that I listened to the stories my parents told me,"
she recalls
.
Then, when I grew up, I did theatre, which is also a form of “storytelling”.
I trained to become an actress, before founding a theater company for women at the age of twenty.
My entry into writing really dates from that time.
Along the way, I discovered how much writing meant to me.
»
A screenwriter for the theater, but also a poet, Bernardine Evaristo published her first books in the 1990s: a play which was performed at the Royal Court Theatre, a collection of poems and her first novel
Lara
, an autofictional story in verse, noted by critics.
But it was only at the age of sixty, in 2019, with her eighth novel that this talented writer really made herself known to the general public by winning the prestigious Booker Prize, jointly with the Canadian Margaret Atwood.
Choral novel in free verse, telling the life of marginalized women in British society, mainly black,
Girl, woman, other
made the event at the evening of the awarding of the Booker by forcing the jury to break with tradition and share the prize between two laureates, in this case two laureates.
The first black woman to receive the Booker Prize, Bernardine Evaristo readily admits that this prize was a turning point in her literary career.
This recognition has seen his readership grow exponentially, with 1.5 million copies of his award-winning novel since sold across the English-speaking world.
It has also been translated into 29 foreign languages, including French.
According to the author's agent interviewed by the
New York Times
, the Booker shattered the rampant myth, in British publishing, that there was no audience in England for novels with protagonists. black.
For the author of
Girl, woman, other
, the explosion of her readership went hand in hand with institutional consecration.
Since November 2020, Bernardine Evaristo has directed the Royal Society of Literature, becoming the first black woman to preside over the destiny of this bicentenary institution, long dominated by native writers.
A professor of creative writing at Brunel University in London, she was appointed, following the Booker award, to head her
alma mater
, the Rose Bruford College of Theater and Performance, where she studied theater in the 1980s. Despite the success, the novelist remains an activist at heart and takes advantage of her institutional positions to promote young talents as well as writers from diversity who have infused new vitality into English literature.
“A king in his castle”
Evaristo's writing is the product of his plural imagination, at the crossroads between England, Africa and the Caribbean.
His novels are part of the tradition of "Black British writing", the foundations of which were laid by writers from the first generation of Caribbean migrants called the "Windrush generation", in reference to the name of their boat. .
Sam Selvon, VS Naipaul, Caryl Philips, Zadie Smith, Ben Okri, Kwame Kwei-Armah, Linton Kwesi Johnson, are some of the pens from this tradition of black literature which gave visibility to the African diaspora in England in recounting in their pages the fortunes and misfortunes of this population too long ignored by literature.
"Mr. Loverboy" is the seventh novel by Briton Bernardine Evaristo, winner of the Booker Prize 2019, jointly with Canadian Margaret Atwood.
© Globe Editions
The project of giving a voice to all those who are banished from the pages of
mainstream
literature animates all of Bernardine Evaristo's work.
His latest novel to appear in French,
Mr. Loverman
, is no exception to the rule.
At the heart of the story, an aging Caribbean dandy who decides to brave "the abyss of social alienation" at the age of 74, by breaking up with his wife to go and share the life of the man he has been in love with since 'adolescence.
With empathy and subtle irony, the author paints an endearing portrait of her protagonist, both torn between his allegiances, family, sexual, and steeped in contradictions linked to his status as patriarch of his family, "
a king in his castle
".
There's King Lear and Naipaul in this essentially tragic hero character.
“
This novel tells the story of a man who is unable to assume himself as a homosexual and must suffer the consequences of his double life,
explains the author .
.
It is a story about deception, but also in a way about persecution because the protagonist has never dared to openly live his homosexuality, neither in the Caribbean island of Antigua where he grew up, nor in England where the law concerning homosexual practices was not liberalized until 1967. He therefore had to always hide his sexual identity, not from himself, because since his Caribbean years he has had a regular relationship with his regular lover, Morris.
But he hid the truth from his wife and relatives.
What will be the price to pay if he decides to assume his homosexuality in broad daylight?
This is the question that this novel explores.
»
Both a comedy of manners and a militant and experimental novel,
Mr. Loverman
is also striking for the inventiveness of his writing, which moves from the present to the past, from omniscient narration to the dialogue between narrator and character (of the wife), from prose in poetic format without a full stop or capital letters.
The author likes to define this style of "fusion fiction", a kind of narrative and stylistic fusion that allows her to free herself from romantic conventions and to powerfully embody her characters, in this case the wife of the main character, victim of her own naivety and the situation in which she finds herself.
A choice of style dictated by the narration, if we are to believe the novelist: "
In the first version of
Mr. Loverman
, I had chosen a simple narration, only in prose where the reader learns about the sufferings of the wife of the protagonist through the eyes of the latter.
I then rewrote in a poetic form the passages recounting the sad fate of this woman, Carmel, fifty years old, married to a 74-year-old man, who subjected her to many humiliations.
What's more, she doesn't know that her husband is gay and leads a double life.
Under these conditions, letting the man tell his wife's story posed problems of narrative coherence that I corrected by inserting chapters in the book where the narration espouses Carmel's point of view.
These passages written in a poetic format were my way of making Carmel's voice heard.
»
Long after we close the novel, Carmel's voice continues to ring in our ears.
Heroine in spite of herself, crippled by doubts and despair, she is the herald of the twelve voices of women in
Girl, woman, other
, novel, which made the literary fame of "Mrs Evaristo".
Mr. Loverman
, by Bernardine Evaristo.
Translated from English by Françoise Adelstain.
Globe Editions, 302 pages, 23 euros.
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