ANNIVERSARY The night the greatest left
TELEVISION Rocío Carrasco's harsh words about Ortega Cano: "I would erase him from my mother's life"
As a feminist wave began the tribute concert to Rocío Jurado at the
WiZink Center
in
Madrid
.
Then came a rough swell that the fuchsia tide unleashed to applause to a Rocío Carrasco splashed by the passion of the public and then drowned in sobs.
"The fight for equality I have sucked since I was little
thanks to a wonderful woman. I miss you wherever you are," the daughter of the folklore was moved with images of female and maternal breasts in the background.
With Mercedes Milá and Melani Olivares as presenters, an event began where the
story of 8M dedicated several lines to solidarity with Ukraine.
But the emotion of the music far exceeded the passion of the words of various feminists of the moment.
An image of
Rocío Jurado
on a giant screen so that the largest one could fit in it, accompanied each of the artists who took the stage.
Nía was the first to float the first bars of "Como yo te amo" on the shores of a concert that she was about to set sail.
A chorus that was only surpassed in follow-up to "I do believe you" from a sector of the public jeweled with violet crowns of lights.
"Like a wave" came Sole Giménez's voice to rise up and then bow to Chipiona's.
Rocío Carrasco gives a speech at the tribute concert to her mother for the 8MJavier LizónEFE
However, in the depths of the soul of
The largest
only a privileged few could submerge.
A heartbreaking Pastora Soler was the needle that penetrated the leather fabric of
Rocío Jurado's heart.
This still beat in each stanza of
We broke our love.
Meanwhile,
Ruth Lorenzo
continued to embroider with the thread of her voice, more agile than silky, each stroke of spirit that the greatest seemed to give when she sang
Let love die.
Rocío Jurado's heart stopped afterwards,
but it was no longer broken.
Several young performers were able to unfasten Rocío Jurado
's mental bra ,
the one she had claimed in the 80s as the only one necessary.
Among them, Ana Guerra with the sublime version of her on the piano of
Señora
or
Lorena Gómez
who addressed a mostly female audience with a satisfying
Vibro with you
.
To introduce the singer,
Mercedes Milá
proudly displayed a clitoris sucker raised to half-staff under the humorous motto:
"These are times of
Satisfayer."
Nía pays tribute to Rocío Jurado with her voice at the concert at the WiZink CenterJavier LizónEFE
Several seas were crossed from one shore to the other of the concert.
With different densities and touches of salt.
As if we were in a Galician coastal town, Tanxugueiras disentangled an audience anchored to their seats with a northern and folkloric version of
Si amanece
.
According to Yolanda Ramos, the hottest song of the evening.
This hymn to love, this time Celtic, of a single night showed that there were no borders for feeling and sexuality.
Silver touches beat on various tambourines made from
all the skin seen at a concert.
There were no more skin samples despite constant mentions of sexual organs and female pleasure.
Not even when Rigoberta Bandini performed her
De Ella Ay, Mama
De Ella.
A special camera baptized in alleged sin as
Tetacam
was going around the stands and
encouraging the thousands of women present to show what they wanted without fear.
Some dared.
Very few.
And always showing packaging and never meat.
We are not pieces of meat, it is true.
Perhaps that is why she opted for a
vegan sexuality drawn on the screen with light and symbolism.
There were orgasms,
but all of them stimulated by the copla and the poetry written
in fuchsia ink by various classical composers of the 80s. women victims of violence.
"Not one less".
Not one less either.
At the end of the tribute all the women met and raised one last tide to push
Rocío Carrasco
towards the arenas of the public.
She thanked
Telecinco and the
Anabella
Association
for battered women before leaving the premises.
It was time to breathe Madrid and for the phrases of the event to slip into the dreams of the future of the young women present.
Some sang, others honored and others, like
Rociíto
, even prayed.
Because despite the differences between generations, cultures and ways of thinking, nothing changes the love for an icon.
Wherever she is,
Rocío is loved with the force of the seas
that surround a country full of talent and emerging artists.
And with the impetus of the wind that blows from the history
of art towards the new generations.
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