The manga
Look Back
comes out in bookstores on Wednesday at Kazé, it is the work of Tatsuki Fujimoto, author of
Chainsaw Man
and mangaka celebrated at the Angoulême festival.
The story follows the meeting, rivalry, collaboration of two young designers, from the school newspaper to the essential manga pre-publication magazine.
Bakuman
,
Hitman
,
Réimp'!
… Other series have looked behind the scenes of manga, Japanese publishing and ultimately the same passion.
The manga is not just a comic strip format, but an art in its own right, an industrial art to use the established formula, which obeys a precise editorial process (competition, pre-publication, bound volumes, etc.) and irrigates the entire Japanese pop culture (adaptations, theme songs, derivative products, etc.).
No wonder, then, that manga and its behind-the-scenes are a subject that fascinates mangakas and readers.
Tatsuki Fujimoto, young prodigy and author of
Fire Punch
and
Chainsaw Man
, tackles it in the multi-award-winning one-shot
Look Back
, in bookstores Wednesday at Kazé editions, a few days before the exhibition "Heroes of chaos" dedicated to him by the Angouleme Festival.
Look Back is available now in your bookstores 📚 pic.twitter.com/j9OmPYq0rT
— Kazé (@KazeFrance) March 9, 2022
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The power of fiction
Fujino is a gifted child, very confident in her drawing talent, until the day when she discovers in the school newspaper the pencil stroke of Kyômoto, a student with sickly shyness and recluse at home.
Their rivalry mixed with admiration will turn into friendship and collaboration… all the way to the top?
If
Look Back
is autofiction and Fujimoto puts a lot of him in Fujino and Kyômoto, in their passion and priesthood, in the series
Shark Kick
, a nod to
Chainsaw Man
, it is ultimately more of a introspection on the power of fiction when tragedy strikes.
Inio Asano, one of the most important mangakas of his generation, also questions his profession and creation in the barely autobiographical story
Errance
chez Kana, where his alter ego is plunged into full doubt after the end of his last successful manga. .
What to draw now, a general public title as his publisher wants or a personal project that is close to his heart?
A mise en abyme more existential than professional.
To discover behind the scenes of the manga, the reference remains
Bakuman
(Kana) by Tsugumi Oba and Takeshi Obata, a scriptwriter and designer duo also at work on
Death Note
and
Platinum End
.
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Mangakas, assistants, “tantô”… The different trades of manga
Over 20 volumes, they recount the slow rise of middle school students Moritaka Mashiro, the designer and enthusiast, and Akito Takagi, the screenwriter and opportunist, from their first winning competition to their flagship series adapted into an animated series.
If
Bakuman
does not avoid clichés, especially sexist with a promise of marriage as the primary motivation and female characters relegated to the background, it is also a didactic and dynamic invitation to discover the different stages and professions of the industry in general, and the publisher Shueisha and the magazine
Weekly Shônen Jump
in particular: mangakas of different generations, editorial managers or
tantô
, assistants, editors-in-chief…
We find an identical approach in
Hitman – Behind the scenes of manga
(Pika) but on the side of the competitor Kodansha and his
Weekly Shônen Magazine
with the meeting between an editor and a young mangaka.
And a tendency towards sentimental comedy as always with Kouji Seo, author of
Suzuka
,
Fûka
and
A Town where you live
.
Immerse yourself behind the scenes of the manga industry with Reimp!
The first chapter is available for free➡️ https://t.co/QxqxJCSsIM pic.twitter.com/rDXEKtXXxY
- Glénat Manga 🔫 SAKAMOTO DAYS - APRIL 6 (@Glenat_Manga) October 11, 2021
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The middle of the manga, a setting for all kinds of stories
If you thought you knew everything about the profession and the environment, there will always be a manga to prove you wrong, like the recent
Réimp'!
by Naoko Mazda at Glénat, which aims to be a realistic dive into the world of Japanese publishing, "far from the clichés of
Bakuman
and the closed door between author and publisher", also with the importance of salespeople, graphic designers, booksellers, etc. .
The backstage of manga can also be "only" the setting for different stories, from the romance between a mangaka and her
tantô
in the shoujo
Love Baka
(Kurokawa) or between an editorial manager and his editor in the yaoi
Sekaiichi Hatsukoi
(Asuka ) to this father who tries to hide from his daughter his job as a low-end mangaka in
Kakushigoto
(Vega) through this assistant who to survive financially must take another job: assassin.
He 's
Assistant Assassin
at Omake Books.
The fantastic also invites itself to the drawing board, as in
RiN
by Harold Sakuishi at Delcourt, or the encounter between a mangaka and a medium, without forgetting
Made in Heaven
(Akata) with an improbable pitch: a Buddhist monk is reincarnated as a mangaka virgin who boasts of being able to draw any sex scene but loses his means in front of his new busty assistant.
You're not sure what you've read, you think it's an erotic manga, but you're way off.
Proof, once again, that with manga, anything is possible.
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Japan
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manga
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