As a series of exhibitions of "Collection Revitalization" of the National Art Museum of China, the "National Style Visible - National Art Museum of China's Year of the Tiger Spring Festival Folk Art Exhibition", which is being exhibited in Beijing, has selected more than 160 pieces of folk art works from many collections, divided into "hundred The four chapters of Tigers in Spring", "Spring Breeze and Scissors", "Spring and Jingming" and "Spring in the Garden" cover categories such as New Year pictures, paper-cuts, shadow puppets, colored sculptures, kites, etc. Culture and Customs.

　　"A Hundred Tigers in Spring" focuses on displaying various "tiger" images in folk art, ranging from tiger hats, tiger bibs, tiger head shoes, cloth tigers, shouting tigers, mud sitting tigers, etc., as well as various tiger shapes The paper-cuts and New Year pictures of Chinese people reflect the cultural psychology of the Chinese people and their honest and simple aesthetic concept.

　　"Spring Breeze and Scissors" focuses on the theme of "spring", and presents the special visual aesthetic and creative characteristics of paper-cut art; "Spring and Jingming" mainly displays representative New Year paintings from different regions of China.

　　The shadow puppets, kites, folk painted sculptures and other works exhibited in "Spring in the Garden" are all representative of the similar collections of the National Art Museum of China.

Among them, the Shaanxi East Road shadow puppet treasures in the Qing Dynasty are exquisite in carving skills, rigorous in shape and gorgeous in color; kite works from the four famous kite origins and important genres in Beijing, Tianjin, Weifang and Nantong are either rough and bold, lively and delicate, or bright and colorful. Gorgeous, or light and elegant, it is a collection of kites from the north and the south; the colorful sculpture treasures in Tianjin, Wuxi Huishan and Chaozhou Dawu are diverse in form and wonderful in content.

　　It is reported that the exhibition will last until March 23.

(Gao Kaiying Ni Le Xiaomin)

Responsible editor: [Cheng Chunyu]