Johanna has

run out of her ADHD medication and is broke.

Dad is paralyzed by grief and sits on the sofa with an empty gaze directed at the TV play program, unable to handle all the demands of everyday life that are collected in the form of bills on the hall carpet.

Without medicine, the outside world flashes and thunders for Joanna, the only place she is relaxed is in water.

She also gets quite calm from having sex with her "kk" Matheus, a kind middle-class kid who probably likes to develop the relationship to more than just sex. 

Well, spaghetti and staring as few start Joanna with her sisyphos fight to get together for her medicine.

Because suddenly the electricity is turned off, and the money she has managed to rattle together in various creative ways, must go to the electricity company.

At the same time, Johanna begins a tentative relationship with the supernaturally cool Audrey who, for Joanna's unfathomable reason, seems to be interested in her. 

So damn easy

going's great merit is the convincing design of Joanna's adhd.

It flashes and howls, the knees jump and the delightful and extremely funny Nikki Hanseblad is alternately cocky and a trembling aspen leaf.

Water is a worn-out metaphor in film narration, with so many rebirths and sexual awakenings coming through a dip, preferably naked.

But: thank God the water here stands for neither change nor sex, it's just a pleasant calm.

Joanna self-medicates by planking into the swimming pool or for that matter throwing herself out of a pier in the port of Gothenburg. 

Gothenburg by the way!

The many visual contrasts between worn, ugly industry and cute wooden houses are a perfect backdrop for Joanna's messy life, beautifully captured with saturated colors by film photographer Nea Asphäll. 

Unfortunately, the core of the story: the love story between Joanna and Audrey, is quite unengaging.

Audrey is constantly laid back, and so mature and cool that I get scared.

I'm convinced that debutant Melina Benett Paukkonen can act, because it squirts security and calm about her, but here she does not get much help from the feature film debutant director Christoffer Sandler (TV series Sjukt oklar).

Where, on the other

hand, it really burns is in the interaction between Joanna and the poor man in love with Matheus (Emil Algpeus).

A tangle of lust, bad conscience, care, friendship and betrayal that it is just a matter of pouring out.

Equally sensitive and complicated is Shanti Roney's father: kind, but so resigned and sick with grief after Joanna's mother's death, that he is a great betrayal. 

The author Jenny Jägerfeld is good at mixing sadness and humor, and drawing multifaceted portraits.

By chance, So fucking easy going is the second Jägerfeld film adaptation to premiere in a month, Sanna Lenken's wonderful Comedy Queen deals with similar themes, but is aimed at a younger audience.

Swedish youth film undeniably looks to feel good right now.