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Rosalia

:

Saoko

.

It goes like a motorcycle at the speed of a rocket, this new Rosalía that is all frenzy, that captures the urgency of an acceleration in two exciting minutes.

It's postmodern reggaeton (a version of two titans, Daddy Yankee and Wisin), with the industrial texture that Kanye West liked so much and that today leads to its ultimate consequences Arca.

It is already one of the songs of the year.

Mitski:

Stay Soft

.

Featured song from 'Laurel Hell', one of the current 'indie' albums in the US, the revived Mitski here combines a slight air of disco music with sophisticated pop in the style of the 80s, so theatrical.

Father John Misty:

Q4.

Complicated orchestral arrangements and a harpsichord wrap in layers and layers of velvet the embossed new song by the most likeable singer-songwriter of the last decade.

Crazy Kid:

Happy Together

.

The new album by the French DJ and producer contains only 'kitsch' versions of the 60's. It's called Kid Loco, what did you expect?

Ptazeta

:

Input

.

The young rapper from Gran Canaria continues exhibiting overwhelming 'flow' and even double tempo.

In this new song, she finishes at the rhythm of a party to wear out the sole of her shoes just as quickly.

Garcia Peoples:

Tough Freaks

.

The Garcia without a tilde is by Jerry Garcia and his intentions are quite consistent: psychedelic rock played sloppily and recorded in the spirit of a gang of friends around a campfire.

Hikaru Utada:

Badmode

.

Long before South Korea created its great factory of pop songs that it has exported with amazing effectiveness under the name of k-pop, the Japanese Hikaru Utada was already recording polished dance-pop to dance with a smile.

Her new album is a candy.

Mahmood+White:

Brividi

.

What a tremendous ballad Italy will present at Eurovision, this torn theme of liquid love between 'trap' and pop that will give Mahmood a second chance.

The two young stars are already favorites for the Turin final.

The Red Room:

The international day of lovers.

Taking advantage of the fact that Jorge Martí has ​​just published his autobiography, it is worth recovering this giant song included in his latest album and that, alas, went unnoticed.

Rojuu:

Nothing gets me up.

One of the current heroes of the teenage audience, the Barcelonan softens the contours of 'trap' until he reaches 'emo' bedroom pop.

Very sign of the times (youthful).

Rolling Blackouts Coastal Fever:

The Way it Shatters

.

You don't hear songs like this anymore, launched by nervous guitars like sparks and keyboards so crazy they seem to go off their axis.

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