【解说】站在案台前，颜朝俊正在拓印着最新创作的虎年元素年画《金虎送福》，上色、覆纸、拓印，颜朝俊手法娴熟，一张精美的年画便呈现在眼前。漳州木版年画是第一批国家级非物质文化遗产，颜朝俊是该技艺的省级传承人。近年来，颜朝俊致力于将传统木版年画融入更多创意元素，让传统文化不断推陈出新。日前，记者在福建漳州约访了颜朝俊。
【同期】漳州木版年画省级传承人 颜朝俊
今年新创作的这个金虎送福，这是一个比较新的创作的一个虎年题材的木版年画，整个图案是比较乖巧，而且用圆形的图案表示就是福气滚滚而来，而且这只萌虎呆呆坐在那里，感觉就是很安逸的样子。以前的年画都是用墨线来印制的，那为了增添一些节日的气氛，这几年我设计的年画，大多都会用一种金粉来印制，这也算是一种创新。
【解说】漳州木版年画以颜氏家族的老店为首，现年48岁的颜朝俊从小耳濡目染，也对这项技艺产生浓厚的兴趣，2018年，他辞去工作，全身心投入到木版年画的创作中。颜朝俊告诉记者，漳州木版年画由于其寓意吉祥平安和带有浓烈的闽南文化元素，深受民众的喜爱。
【同期】漳州木版年画省级传承人 颜朝俊
它是比较喜庆的，它大约都是用红纸来印制，而且它的题材大多都是比较迎合这种我们节日气氛，闽南很多庙啊，就喜欢拜拜，就说逢年过节，初一十五都有一些祭祀活动，所以说年画的应用场景比较多一点，而且很多都是比如我们要嫁女儿，我们会贴一些日日进财，年年添丁，百子千孙，这些寓意更好一点的元素在里面。
【解说】这几年来，颜朝俊除了整理旧版外，还依靠一些旧图纸，复刻了许多传统木版年画。他在不断寻找古老闽南年画图案的同时，还对年画图案进行了创新。在颜朝俊看来，木版年画既要创新，又要留住传统的味道。
【同期】漳州木版年画省级传承人 颜朝俊
Zhangzhou woodblock New Year pictures are more inherited from the ancient method, which is to print the color version first, and then the ink line version. This technique has been printed since the end of the Ming Dynasty, so I am also constantly learning, and I want to make a breakthrough in innovation, because the ancients Many of the patterns are already very beautiful, and it takes a hundred times more effort to surpass him.
We still have to learn slowly, and then create some good new works based on the aesthetic needs of our current society.
[Explanation] During the Ming and Qing Dynasties, with the rise of Yuegang, a foreign trade port in Zhangzhou, Zhangzhou woodblock New Year pictures were once exported to Southeast Asia and other places with the help of prosperous maritime trade.
Yan Chaojun also hopes to go out with New Year pictures in the future, so that more people can see the charm of Zhangzhou woodblock New Year pictures.
【同期】漳州木版年画省级传承人 颜朝俊
In fact, our New Year pictures were sold to Malaysia and Singapore in the Qing Dynasty or earlier, so I think a lot of this culture still needs to go out slowly. I also hope that there will be opportunities to go to some Chinese gathering places in the future to spread it. Some of our Chinese excellent cultural traditions.
Reporter Wu Shengwei reports from Zhangzhou, Fujian
Responsible editor: [Sun Jingbo]