Leonardo Sbaraglia

(Buenos Aires, 1970) goes out to the

lobby

of the Only You Barquillo hotel in Madrid and asks for 10 minutes to eat. "But come and sit down and talk." Between a plate of

taglatielle

and a chocolate

mousse

he has time to talk about everything: his promotional trips, movies, series, theater, wanting to work with Sorogoyen and even his latest project,

Everybody Lies

, the TV series Pau Freixas that this Friday premieres Movistar +. It's like a monologue in which you only need to listen. "We can start".

You cannot empathize with them until you have a being under your responsibility and then you get closer, I was never as close to my parents as when I had my daughter.

There is something mutual to find a relationship in every moment of life.

They are open to continue changing as I am with my daughter who is learning and stunned by all the information that comes to her from the world.

And even more so in a hyperconnected world, but since childhood you have many stimuli and now with Ipads and games, each one must choose a path, you can't absorb everything and that stuns you. It is very difficult and that is why we continue to talk about love, family so many centuries later and nobody has the answers. This series also introduces how a sexual video can destroy a life. The use of networks is monstrous. There should be a reimportant responsibility, but freedom has been lost. We are prisoners of the telephone right now, and I include myself, because you have the photos there, your home address, the GPS, the bank, everything. Have they stolen a little of our life? And what we do not know with the data that we put there We have in front of us a wonderful tool and also an element of capitalist cooptation for us to consume,know our tastes and profiles to improve sales. We must get out of here to see the world, the people and the real relationships because they have changed even our tastes. And that the facility to destroy a life is enormous now. That is why we have a responsibility especially in young boys, where they do not have so many references of what the world is. We have to reconnect with our nature, although it is becoming more and more difficult because we are all the time looking outwards, at what is foreign and at what they will say. In addition, we are demanding that we be happy there all the time. I'm like hell, crying and my eyes come out, but that place is only given to crazy people and drunks, we haven't invented anything either, Shakespeare already said it,the rest are in a system that has to work and move forward They've already been in Spain for 22 years, what do you see when you look back? A lot of things happened, movies, a personal process that did me a lot of good. Today I have a more genuine relationship with Spain and my friends and even with my profession. When you arrive at 30 years old, you have to like it, they ask you to change the accent here, you force yourself and give up things of your identity. Today I feel much more integrated and I can show my most spontaneous face. You say that acting saved you during your parents' divorce. It was something like that, but you always remake your story because, as you get older, you have some tools to go back to past and keep moving pieces. Perhaps I came here because of the separation or because of my sensitivity or because of my head, who knows.But fundamentally this gave me a place and today as an adult I realize that I am learning everything again. The most beautiful thing in life is being able to look at it again with new eyes and rethink everything.

That translates to love, to the couple, to friendship and to work... We have to be whole in our work because we are our instrument.

It's so confusing because we are ourselves with our soul in front of a camera and for the camera to enter you have to open up. Do you feel like you've hit the ceiling as an actor? On the contrary, I feel like I'm starting all the time, I don't go with a backpack of everything what I did, I'm light trying to start over.

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