Chinanews.com, Hangzhou, November 5 (Reporter Xi Jinyan and Xie Panpan) Chi Mo splashed with clouds and purple hair swayed Guangyu.

The reporter was informed on the 5th that the review results of the first "Wang Xizhi Cup" calligraphy art exhibition were released. 209 calligraphy works and 51 square seal carving works were selected and will be exhibited in Zhejiang Exhibition Hall on November 26.

These works have diverse forms and diverse styles, showing the creative strength of young and middle-aged calligraphers, and have become an "important window" to show the charm of Chinese culture.

  The art of Chinese calligraphy has a long history.

In the 9th year of Yonghe in the Eastern Jin Dynasty, 42 celebrities and scholars including the book sage Wang Xizhi repaired the Lanting Pavilion, wrote poems, and wrote "The First Line of the World" and "The Preface of the Lanting Collection" in a brilliant pen.

Time has passed for thousands of years, the charm of the Lanting Pavilion is endless, and the sage of the book is still fragrant.

Expert review site.

Photo courtesy of Wang Xizhi Art Research Institute of Lanting, Zhejiang

  This exhibition attracted many calligraphy and seal cutting enthusiasts at home and abroad to contribute.

The organizing committee received a total of 3,395 manuscripts of calligraphy and seal cutting works, and the calligraphy and charm were exquisite and elegant.

After preliminary selection, re-evaluation, and finalization of 260 shortlisted manuscripts by the organizing committee and the jury, the results were announced to accept social supervision.

  Literary awards are an important "vane" for literary creation.

The works in this exhibition use Wang Xizhi's "Landing Collection Preface" and the evaluation words and paragraphs of Wang Xizhi's calligraphy comments on the calligraphy of Wang Xizhi in the past. The mainstream value orientation of calligraphy and seal cutting.

  Liu Heng, the former director of the Calligraphy Art Center of the China Federation of Literary and Art Circles, said that calligraphy is a unique cultural carrier and artistic style of the Chinese nation. It is rooted in the historical context of traditional Chinese culture and demonstrates national character and national characteristics.

The theme of this calligraphy exhibition is concentrated, with complete calligraphy and seal carving art forms and diverse styles. It can be described as "the elite compete for development, the new peak competes for show", which truly demonstrates the current and future of Chinese calligraphy.

I believe that after the exhibition, the audience will be given a beautiful visual enjoyment and artistic nourishment, which will have a positive effect on inheriting the art of calligraphy, strengthening cultural self-confidence and Chinese aesthetics.

  With the development of science and technology, people spend more and more time in contact with the keyboard, and there are fewer and fewer opportunities to write with a pen.

In today's rapid development of digital technology, inheriting the art of calligraphy is not only to make people able to write and write well, but also to carry the important task of promoting the excellent traditional culture of the Chinese nation.

  Zhao Yanjun, vice chairman of Zhejiang Federation of Literary and Art Circles and chairman of Zhejiang Calligraphers Association, said that the works collected this time have works from all over the country, with a clear heritage, potential pioneering consciousness and profound artistic skills.

Through this calligraphy exhibition, we can not only feel the good ecology of Chinese calligraphy, where the backbone of Chinese calligraphy is guided in the front, but also the vigorous new generation will continue to follow up in the back, but also can fully see that the calligraphy industry respects the former sages and can expect sustainable stamina. Development blueprint.

  Calligraphy culture is an important part of China's excellent traditional culture, and it is the cultural bond that maintains the Chinese people at home and abroad.

The exhibition attracted calligraphy and seal engraving fans from France, Toronto, Malaysia, the United States, Romania, Luxembourg, Japan, and South Korea.

  "This is a calligraphy exhibition, and it is also a journey to find roots." Hu Chongwei, chairman of the Liaoning Calligraphers Association, said frankly that the "two kings" in learning calligraphy lies in the "two kings." The joyous, stunning remembrance and remembrance is also an important move to continue writing the "Lanting" calligraphy, leading contemporary calligraphy creation, calligraphy research and development.

  It is reported that this calligraphy exhibition is guided by the Higher Calligraphy Education Branch of the (National) Educational Calligraphy and Calligraphy Association, Zhejiang Calligraphers Association, hosted by Zhejiang Lanting Wang Xizhi Art Research Institute and other units, and Shaoxing Calligraphers Association and other units provide academic support.

  The person in charge of the Wang Xizhi Art Research Institute of Lanting, Zhejiang, stated that Zhejiang, as a generation of "book saint" Wang Xizhi, was the place of retreat to official scholarship and the birthplace of "The First Book of the World" and the "Lanting Collection Preface". The art of Wang Xizhi's calligraphy, a treasure of Chinese excellent traditional culture, is well inherited and carried forward, and injects cultural power into common prosperity.

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