Seven Collections of Song and Yuan Paintings and Calligraphy in Gaohua Pavilion Appeared to Arouse Hot Discussion in the Industry

　　China News Service, October 30th (Reporter Chen Jing) Seven Song and Yuan calligraphy and paintings from "The Impressions of Gaohua Pavilion-Xie Zhiliu and Mrs. Chen Peiqiu Memorial Album" recently appeared in Shanghai, attracting a lot of attention from the calligraphy and painting circles and academic circles.

　　The reporter learned on the 30th that at the academic symposium on "Gaohuage Appreciation-Commemorating Xie Zhiliu and Mrs. Chen Peiqiu", industry experts focused on the seven Song and Yuan paintings and calligraphy of "Gaohuage Appreciation and Mrs. Xie Zhiliu and Mrs. Chen Peiqiu Memorial Album", focusing on contemporary famous Painter, appraiser and collector Xie Zhiliu and Chen Peiqiu made outstanding contributions to the field of ancient painting and calligraphy collection.

　　These 7 paintings and calligraphy in Song and Yuan Dynasties include Guo Zhongshu (Biography) "Summer Palace Picture", Ma Yuan (Biography) "Matsushita Playing the Piano", Zhao Mengfu "Bamboo and Stone Picture", Ma Yuan's "Songquan Gaoshi Picture", Zhao Yong's "Cold Forest Picture" , Anonymous "Autumn Forest Shepherd Boy", Wang Mian (Biography) "Plum Pine, Bamboo and Rock" will appear in the autumn auction of China Guardian.

It is reported that Chen Peiqiu, a well-known contemporary painter, appraiser, and collector, made these seven paintings and calligraphy in the Song and Yuan dynasties as precious as arches, mounted on the sides, or sealed with seals, or signed by Mr. Xie Zhiliu and inscribed in the poetry hall.

　　An important work handed down in ancient paintings-Guo Shuzhong (Biography) "The Summer Palace Picture" is a 16-square-foot giant" is not only an important testimony of the two art masters on the research process of ancient Chinese calligraphy and calligraphy, it has been published twice in the "Shanghai Museum Collection" painting".

The Annals of Xie Zhiliu Family Records: “(Wu Zi was 39 years old in 1948) identified Chen Peiqiu’s collection of Guo Zhongshu’s "Summer Palace Picture" as authentic." It is known that as early as the Republic of China, the "Summer Palace Picture" belonged to Mr. Chen Peiqiu. collect.

　　Thirty years ago, Yin Guanghua, a well-known painter and connoisseur of ancient calligraphy and painting, once saw the "Summer Palace Picture". In his opinion, "The Summer Palace Picture" is the first-class painting in the history of Chinese painting, which is unforgettable.

It represents the extremely high level of Chinese palace architectural paintings, and uses clever processing methods to achieve unity of the elements in the painting.

Xu Jianrong, a professor at Shanghai University, considers this "Summer Palace Picture" to be a top national treasure and a milestone in Chinese landscape painting. "Gully Pine Wind Picture" and "Creek Bank Picture" by Dong Yuan of the Metropolitan Museum of America are also known as the five landmark works of Northern Song Dynasty landscape painting.

　　Shan Guolin, a well-known expert on calligraphy and painting appraisal, a member of the National Cultural Relics Appraisal Committee, and a researcher at the Shanghai Museum, pointed out that the "Summer Palace" has a rich variety of dots and leaves.

Wu Zijian, a contemporary master of gold and stone, believes that the "Summer Palace Picture" is breathtakingly drawn, and its importance is not under the "Xi'an Picture". "This is the most important work of Chinese painting since the auction market. The importance of painting in the history of painting is self-evident.” According to Wu Gan, a professor at the China Academy of Art and an expert of ancient calligraphy and painting, the brush strokes in the "Summer Palace Picture" are extremely ancient, and they are the house wood paintings (also known as boundary paintings) of the past dynasties. A very high-level picture here.

　　Xu Hanming, a part-time master tutor at Fudan University, believes that the paintings of the Song Dynasty are the culmination of the history of Chinese painting, and the seven works identified and collected by the two elders Xie Zhiliu and Chen Peiqiu are extremely precious. The evidence points to it as the one recorded in "Xuanhe Huapu".

　　In addition to Guo Shuzhong's (Biography) "Summer Palace Picture", several other Song and Yuan paintings in "The Impressions of Gaohua Pavilion-Xie Zhiliu and Mrs. Chen Peiqiu Memorial Album" are also extremely rare and rare.

Ma Yuan (Biography) "The Picture of Panasonic Playing the Qin", painted with rocks, strong pine, Gao Shi, or "Bo Ya Gu Qin" allusion.

Cao Zhao’s "Ge Gu Yao Lun" of the Ming Dynasty described Ma Yuan’s compositional characteristics: Sitting alone, this corner of the scene is also."

　　Shan Guolin pointed out that "The Picture of Panasonic Playing the Piano" was marked by Mr. Xie Zhiliu as Ma Yuan's work, which is undoubtedly a Southern Song painting.

This pen is solid and sturdy. It uses a sharp axe to cleave the stone. The painting method of the characters is also in the style of the Southern Song Dynasty, which is very close to the Southern Song Dynasty Ma Yuan's "Xiyuan Elegant Collection" from the Nelson-Atkins Museum of Art in the United States.

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