China News Service, Zhangzhou, October 25 (Zhang Jinchuan, Huang Yaping) "The brocade song we sing is the Taiwanese folk opera singing. The Xiangju we sing now is a fusion of "improved opera" and "taiwan opera"..." It is written in the preface of the series "Tong Tong Tune" of Zhangtaiyuan series.
"Tong Tong Tune" was edited and published by the Taiwan Compatriots Association of Zhangzhou City, Fujian Province.
The relevant person in charge of the Zhangzhou Taiwan Compatriots Association said in an interview with a reporter from China News Agency on the 25th that from the ancient Zhangzhou brocade to Taiwanese opera, and then to the improved opera and Xiang opera in southern Fujian, the same root is the same, the gongs and drums are in the same tone, and the strings are in the same tune. The language is homophonic. It is a wonderful opera art created by the people on both sides of the strait, and it is also a lingering cultural bond between the people on both sides of the strait.
Zhangzhou Jin Ge enters the campus.
(Data Map) Photo by Zhang Jinchuan
With the deepening of cross-strait exchanges, the research on Taiwanese opera (Xiangju) has yielded fruitful results.
"Qu Tong Tiao" is a compilation of papers on the study of Taiwanese opera (Xiangju). It is a collection of articles by more than a dozen famous Taiwanese opera (Xiangju) research experts and scholars, which more comprehensively reflects the Taiwanese opera (Xiangju) Drama) style and features.
Zhangzhou Jinge and Quanzhou Nanyin are also known as the flower of folk sister art in southern Fujian.
The brocade song is rooted in the folk, the lyrics are easy to understand, the tune is beautiful and smooth, and it has a strong rustic flavor.
In the late Ming and early Qing Dynasty, when Zheng Chenggong regained Taiwan, he also brought Jinge to Taiwan and combined with local folk songs and minor tunes to form a new form of "singers".
In 2006, Zhangzhou Jinge was listed as the first batch of national intangible cultural heritage.
Chen Bin, a member of the Chinese Dramatists Association, pointed out in his article "Taiwanese Gezi and Zhangzhou Jinge in Southern Fujian" that Jinge has developed from folk song minor to rap art, and one of the major genres "walking singing" is today A miniature version of Taiwanese Taiwanese Taiwanese; "Taiwanese Taiwanese" and "Jinge Walk Sing" have sung the same tunes on both sides of the strait for hundreds of years, expressing the common aspirations of the people on both sides of the strait.
"Tong Tong Tune" selects relevant articles by more than a dozen famous Taiwanese opera (Xiang Opera) research experts and scholars.
Photo by Zhang Jinchuan
Shi Peilin, a Taiwanese professor at Minnan Normal University, also pointed out in the article "The Past and Present of Taiwanese Taiwanese Taiwanese" that the folk songs, operas, singing and dancing, rap, musical instruments and religious music brought to Taiwan by the ancestors have taken root and blossomed on the island, and have been passed down. After hundreds of years of absorption and integration, it still maintains its original appearance and becomes a unique flower in the treasure house of Chinese national music.
In Shi Peilin’s opinion, Zhangzhou Jinge’s miscellaneous words "Di Gong Za Zui", the content of the lyrics is to pray for the land public to protect a good husband and marry a good husband. This brocade song was spread to Taiwan and became "The evil man eats wiping away" , The form, melody structure and word structure are basically the same; "Tianwuwu" and "Chicken Corner Boy, Cry Early" are classic examples of Taiwanese children's songs, which were compiled into popular songs after being introduced to Taiwan, and were widely spread across the Taiwan Strait and swept across the country. .
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