[Explanation] Xinjiang’s thousands of beautiful sceneries and tens of thousands of customs are blooming in Su embroidery inheritor Zou Yingzi's stitch and thread winding. She used embroidery to open the dialogue between Xinjiang and the world. This is the reporter's October 17th in "Xinjiang is a Good Place" The images captured at the scene of the intangible cultural heritage exhibition of 19 provinces and cities aided in Xinjiang.

Xinjiang's natural scenery and customs have become good themes for more and more intangible cultural heritage creations.

  [Concurrent] Zou Yingzi, the non-genetic inheritor of Su embroidery

  It is the leap of the color of this nation that inspires me. I think I learn from each other and learn from each other.

  [Explanation] Chinese embroidery is also known as silk embroidery and needle embroidery. Su embroidery is one of China's excellent traditional crafts due to its beautiful patterns, exquisite ideas, meticulous embroidery and lively stitches.

Zou Yingzi said that this exhibition also ushered in a good exchange opportunity for Chinese embroidery.

  [Concurrent] Zou Yingzi, the non-genetic inheritor of Su embroidery

  One side of water and soil nourishes one side, and the same material has changed these different patterns.

We come from Jiangsu, even from all directions, it should be national, and its significance is still extraordinary. With this blend of our craftsmanship, I think it plays a role in connecting the past and the future. We and Xinjiang The people are seamlessly connected.

  [Explanation] In the Beijing Pavilion, Su Yongmao, the inheritor of gold lacquer inlay, showed the visitors the masterpieces of gold lacquer inlay techniques such as Baibao inlaid lacquer box and black lacquer inlaid gilded landscape painting Fangsheng style plate.

He introduced that Chinese lacquer art has a long history of 800 years, and Beijing’s golden lacquer inlays, no matter from the teacher system, the craftsmanship to the artistic style, are active and current, and continue to this day.

  [Explanation] The more national, the more global.

In the conversation and integration of artistic innovation, innovation on the basis of inheritance is the consensus of all "intangible heritage" authors. Only "old craftsmanship" and "old objects" can win more people's love. Intangible cultural heritage must not only live in the past and present, Also live better in the future.

  [Concurrent] Zaituna Kalimwa, the successor of the Tatar Saban Festival

  As an inheritor, I especially hope to pass on the skills we know to more people regardless of ethnicity or region.

  [Explanation] It is understood that the counterpart intangible cultural heritage exhibitions in 19 provinces and cities in Xinjiang exhibited 209 unique and representative projects, showing the cultural charm of intangible heritage that has lasted forever in multiple dimensions.

The exhibition also invited nearly a hundred national, provincial and municipal non-genetic inheritors to explain, demonstrate and guide the production process on site.

The exhibition will last until the end of October 19.

  Reporter Zhao Yamin reports from Urumqi, Xinjiang

Editor in charge: 【Luo Pan】

Keywords: dialogue, zou yingzi, xinjiang.xinjiang, sceneries, thousands, stitch, embroidery, heritage, su, scene, reporter, explanation, inheritors, customs, thread