Manu Dibango rehearses before his concert at the Apollo in Harlem in 2015. © Bonne Nouvelle Productions / 5.2.3.
By: Joe Farmer Follow
During the last five years of his life, Manu Dibango traveled the world as never before to honor the requests of his admirers.
Then in his eighties, he had become a pillar of
The Epic of Black Music
and his aura aroused many invitations.
In New York, Rio, Douala, London, Paris, he answered present and fed the sequences of a documentary directed by Thierry Dechilly and Patrick Puzenat.
This film will be on French screens on October 20.
The authors of this musical and cinematographic journey are our guests.
Patrick Puzenat and Thierry Dechilly, directors of "Tonton Manu".
© RFI / Joe Farmer
Behind his thunderous laughter, Manu Dibango rarely revealed his doubts, his weaknesses, his cracks.
The eye of a camera will however manage to perceive some intimate emotions of the conductor.
“Tonton Manu” is not a biographical work, but the transcontinental stroll of a warm man returning to the lands of his youth.
Returning to the college of Saint-Calais where he was educated in 1949, walking the streets of Harlem where he had an overwhelming success in 1972 thanks to the title
, accept the honors of Abidjan where he conducted the Ivorian Radio Television orchestra in 1976, get lost in the Parisian clubs where he discovered jazz in the 1950s, all these moments of memory mark the stages of a thrilling life whose narrative force springs back before our tender eyes.
Manu Dibango gives an interview on Brazilian television in Rio de Janeiro in 2016. © Bonne Nouvelle Productions / 5.2.3. Productions
Commented by a few witnesses and prestigious friends (Yannick Noah, Courtney Pine, Wally Badarou, Ray Lema, Omar Sosa…), this dive into the memories of Manu Dibango sheds light on his artistic journey over the decades. Suddenly, the composer, too often underestimated, shines and dazzles us. His rigor in the studio, his professional friendliness in the media, his solid presence on stage, his attentive altruism, his sincere humility, illuminate this endearing portrait. The little anecdotes and thoughts captured during the shooting surreptitiously betray the unique destiny of this talented saxophonist and vibraphonist who did not boast, did not boast, did not boast of having crossed paths with the greats of this world.
Manu Dibango in the studio is working on a composition by Cuban pianist Omar Sosa.
© Bonne Nouvelle Productions / 5.2.3.
As the 90 minutes of this breathtaking road movie show, Manu Dibango used his notoriety to defend certain convictions: history, heritage, education, sharing, tolerance.
His friend, the pianist Ray Lema, also notes, during a sequence shot in Rio de Janeiro, that the fusion of cultures is possible in Brazil when attempts at Afro-European rapprochement are still very timid, especially in the world of classical music.
Manu Dibango will demonstrate a few months later that perseverance bears fruit by presenting a “Safari Symphonique” in Paris.
This will be his ultimate challenge and the final touch of a rich and fascinating human adventure.
► To see: Trailer of the documentary by Thierry Dechilly and Patrick Puzenat.
Portrait of an exceptional musician: Manu Dibango.
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On the same subject
The portraits of La Bande Passante
Manu Dibango, his beginnings, his family
Tribute to Manu Dibango, one year after his death
The epic of black music
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