No worries a priori for the CSA.

It is "natural" and "understandable" that the actors of the French audiovisual landscape "put themselves in working order" to "develop their capacity for investment and a kind of cultural sovereignty", declared Tuesday Roch-Olivier Maistre, the president. of the CSA, about the TF1-M6 merger project on which it must give its opinion in early 2022.

Seized at the beginning of the summer, the Superior council of audio-visual must begin this week the hearings of the two diffusers and of all the actors of the market: producers, competitors, operators, societies of authors… Evolution of the uses with less and less linear consumption patterns, media with a multiplication of screens per household, and Gafa's appetite for the advertising and content market: the Covid-19 crisis has "played the role of an amplifier" of trends background in the audiovisual sector, explained Olivier Maistre during the 15th Udecam Meetings, the meeting place for French advertisers.

“The regulator is not there to preserve and preserve the status quo, but to anticipate and support the transformations at work in the media landscape,” he insisted, especially since in recent years “ consolidation announcements have multiplied ”, particularly in the United States.

A merger that does not worry the Minister of Culture

“We will be issuing an opinion somewhere early next year. We will then have to decide on the approval of a change in capital control of the M6 ​​channel, then we will have to settle the renewal of the authorizations of TF1 and M6 which expire in spring 2023 ”, detailed the regulator. "I felt a form of enthusiasm, a desire to do well," responded the CEO of the TF1 group Gilles Pélisson, questioned just after on the same stage. TF1 and M6 hope to finalize their project at the end of 2022.

The merger between TF1 and M6 / RTL, now owned by the German group Bertelsmann via RTL Group, must also obtain the consent of the Competition Authority, which must analyze the advisability of creating a player representing the three quarters of the French advertising market on free television.

The competition policeman began a market test at the start of the school year, and will deliver its opinion by summer 2022, with the possibility of requiring a certain number of corrective measures (for example separate advertising agencies).

Asked at the end of August on France Info, the Minister of Culture Roselyne Bachelot was not worried: "We need strong groups in the private audiovisual sector which provide free quality programs".

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