China News Service, August 2nd. In recent years, film and television works depicting the living conditions of young people in foreign cities in metropolises have responded to realistic concerns and aroused emotional resonance from the audience, and their popularity has continued to rise.

This summer, the urban sentimental drama "I'm Very Good Away from Home", which reflected this theme, was well received. It was broadcasted more than half of the time and received a Douban score of 8.3 points.

Stills

　　"I'm Good in Another Country" cuts into the lives of four young women with very different personalities, and confronts the pain points and practical problems faced by young people from other countries in the city.

　　For example, in life, Qiao Xichen was cheated on rent by a "black intermediary" and was "stumped on the nose" by an unreasonable co-renting roommate. He wanted to live alone and save rent and could only rent to a place farther away from the company, except to endure In addition to the longer commuting time, she also has to worry about personal safety. The takeaway can only be noted as "Mr.", and she has to prepare anti-wolf sprays and fake cameras; in the workplace, in order to keep her job, she dare not ask for leave or rest, and she works hard. Overtime work, because of too much anxiety, "drop the chain" at a critical moment.

　　Ji Nanjia, who is relatively successful in his career, was over 30 and was repeatedly urged to marry by his parents. When he fell ill, he could only go to the doctor alone, relying on the alarm clock to remind him to take medicine.

Hu Jingjing, a lively character, was fired by the company for no reason and was forced to resign.

Their diverse life experiences and experiences in the city reflect hot topics such as renting a house, intergenerational communication, marriage and love anxiety, consumption comparison, appearance anxiety, workplace anxiety, and employee rights protection.

　　In addition to directly attacking the real dilemma, "I'm Very Good in a Foreign Country" also provides comfort and strength to the audience with a warm realist character.

　　On the one hand, the play shows the growth process of these young people, guiding the audience to think about life principles such as the correct ranking of work and health, and the true source of security.

On the other hand, the play is still inadvertently dotted with all kinds of warmth: When working alone in the warehouse, colleagues pretend to pass by to help, and like-minded partners make work more warm and motivated.

When the landlord did not receive the rent from the black intermediary, he emptied the furniture and encountered thieves in the house. The friends stepped forward. The brightness of the friendship was enough to bring people out of the darkness.

On the night of overtime work, the mother sent a small red envelope worth dozens of yuan to ask her daughter to take a taxi home, which made people "tear."

　　The suspenseful colors and comedic elements of "I'm Very Good in a Foreign Country" are also a highlight. Qiao Xichen complained about the leader behind his back, was heard by the leader, went to another company for an interview, but ran into the current leader... Qiao Xichen’s hilarious scenes of "social death" many times made the audience laugh; meeting customers in the bar to ask for accounts If it fails, Ji Nanjia, who has to pay for the customers who have left for the long-distance, sings in the bar while silently drinking the rest of the wine...These funny plots show the true state of contemporary young people in dealing with setbacks. , Make the characters more three-dimensional and full.