Becoming famous after being at the heart of a resounding criminal case in which she was finally acquitted, American Amanda Knox has accused a new film of "profiting" from her case.

Stillwater

, released in theaters in the United States on Friday, tells the story of an American (Matt Damon) who travels to France to try to help his daughter (Abigail Breslin), in prison after being charged with the murder of her friend, whom she claims not to have committed.

He is helped by a Frenchwoman (Camille Cottin).

Its director, Tom McCarthy, said he was freely "inspired" by the case in which Amanda Knox was involved, while claiming that his script was different.

"Does my name belong to me?"

What about my face?

What about my life?

"

Amanda Knox spent four years in an Italian prison after the 2007 murder of her British roommate Meredith Kercher, for which she was co-accused with her then-boyfriend Raffaele Sollecito.

She was finally exonerated.

"Does my name belong to me?"

What about my face?

What about my life?

My story ?

Why is my name used to refer to events for which I am not responsible?

», Wrote the American on social networks.

“I come back to these questions because other people continue to take advantage of my name, face and story without my consent.

Latest example to date: the film

Stillwater

 ", she continued, also criticizing the media which speak of the" Amanda Knox saga ".

An invitation to his podcast

In the film, it turns out that the accused in fact "asked the killer to help her get rid of her roommate," says the American, 34 today.

"How do you think this affects my reputation?"

She asks the director.

"By changing the facts around my innocence (...), by erasing the role of the authorities in my arbitrary conviction, McCarthy reinforces the image according to which I am guilty and not worthy of confidence," she adds.

The young woman has finally invited Tom McCarthy and Matt Damon to participate in her podcast.

"I bet we could have a fascinating conversation about identity, public perception and who should be in a good position to harness a name, face and story that have entered the public imagination."

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