[Art Review] Is there only one way for "alternative" actresses to comedy?

  Not long ago, the sixth season of the celebrity imitation show "Big Variety Show" came to a successful conclusion. With her super funny ability and sense of variety, Hammer Na Lisa became a new generation of "model king". Treasure girl with audience popularity.

  In the post-TV era, we have ushered in a non-linear fragmented and interactive media environment. Video websites, social networking platforms, and short videos have risen strongly, and the expression of comedy has been continuously expanded. In addition to stage art such as sketches, cross talks, and dramas, Film, television and other screen arts, emerging comedy performance methods are also emerging in an endless stream, such as talk shows, short videos, stand-up comedies, etc.

From style to content, comedy presents more and more rich and diverse.

  Comedy has a more lively soil, and a group of young female comedians have begun to rise, setting off a new wave of comedy.

After 2010, Jia Ling, Ma Li and others have entered the audience's field of vision. Over the years, they have gradually become the top of the pyramid of domestic comedians by virtue of their excellent business capabilities.

Since last year, more and more female comedians of the new generation have come out. Yang Li and Li Xueqin have gained popularity and continued to become popular through "Talk Show 3". Jin Jing has shown comedy talent in multiple variety shows and created short stories. Yoko, who became popular in the video "Spicy Eye Video", has shown good acting skills in many works, and Hamina Lisa has made a name for himself with the outstanding performance of "Big Variety Show". These are very recognizable. The newcomer is bound to be more and more present in the comedy circle.

  The creation of comedy is very difficult. There is no insightful understanding and copying of life, which makes the audience laugh.

If a comedian wants to come out of the circle, he must not only have the ability to laugh, but also must be able to mobilize the audience's emotions and convey the corresponding main ideas. Creativity is indispensable to the audience.

Although the non-girl comedians are not beautiful women in the traditional sense, they often have the face of a small person, but they have an inward and diversified charm.

Comedy gives them a stage to show their talent and charm, but to a certain extent they can only "play ugly and soil". The label of comedy both accomplishes and restrains them.

Looking at the entertainment industry, they are still marginal.

  It is not easy for a female comedian to take off the inherent label and play a non-comedy role to complete the transformation and transformation.

In other words, when an actress is not good-looking, she wants to be "red", perhaps only by taking the path of comedy.

  In the entertainment industry that advocates beauty and regards appearance as a measure of actresses, there are very few talented, ordinary-looking actresses.

Those "alternative" actresses can only find a place in the comedy world, even if they have good acting skills and not low popularity.

  Wu Junru acted in a comedy for a lifetime. She couldn't let go of "selling the ugly". "Actually, I am an inferiority man. I know very well that I am not a beauty, so I have always played the role of an ugly girl."

Zhang Xiaofei is jokingly called the beauty ceiling of the comedy world. She graduated from the Performance Department of Beijing Film Academy. She saw Yang Mi and other classmates become popular, but because she was not so outstanding, she rarely had the opportunity to appear on the screen. Performing on the sketch stage, when participating in "I Am an Actor", some instructors did not know who she was and did not recognize her acting skills. It was not until Li Huanying became popular that he had the opportunity to choose the script.

Another example is Ren Suxi, who is well-known by audiences for her works such as "Donkey Gets Water" and "The Unknown", and her acting skills are well recognized, but she still has little choice except for low-cost comedy.

An "ugly" actor like her can bring surprises every time she makes her appearance, but she is quickly pushed back behind the scenes by a lot of hot searches.

In the entertainment industry, they are still "the unknown generation."

  To put it bluntly, many alternative actresses have encountered the bottleneck of not being beautiful enough.

They can only choose comedy because they are not beautiful enough.

In fact, excellent female comedians can often have insightful observations of life and strong character expressions. Although they are not as refined as beautiful actors, they are fuller and richer, and their acting is wider. Unfortunately, today's Yingying Acts often do not have a place for actors with such a strong style.

  There are so many acting variety shows like Yoko Lame, and few people earnestly instruct her.

This just reflects the market's acceptance of these alternative actresses-although you are good and have acting skills, but I don't need you in my play, no one is willing to carve such a jade with heart.

Except for comedy, they came out too little.

  When did the beauty of female stars become so boring and narrow?

Don't audiences need more ordinary looks to reflect the ups and downs of life, the joys and sorrows of life, to interpret the ordinary but solid life of ordinary people?

I look forward to a more extended evaluation of the actress' "beauty", because beauty could have been richer, more diverse, and more resistant to taste.