Perplexed or anesthetized, taxpayers attend the spectacle of solemn impostures of indignation or redemption with which to justify the palatial intrigues of this digitally disguised Old Regime, whose epidermal echoes leap to the screens with the calculation of audiences and hidden interests.
The employees of politics, for whom
left
or
right
are the names of the masks on stage, seem to remain secondary actors of invisible plots with succulent remarks.
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