In the Fuwang Pavilion of the Palace Museum, there is a painting of "Jiang Maode's Landscape Painting Pasting". This cultural relic was painted by Qing Dynasty court painter Jiang Maode for the decoration of Fuwang Pavilion's inner eaves. 282 cm.
Even when it is posted in the palace, the size of the work is extremely impressive.
From "almost difficult to open" when he appeared, to the wonderful rejuvenation after the restoration of the cultural relics of the Palace Museum.
How was the restoration process of "Jiang Maode's Painting of Landscapes Pasted"?
On March 29, the reporter saw this restored post in the Palace Museum and learned about the various restoration processes.
It is reported that this is the first time for the Palace Museum to analyze a calligraphy and painting cultural relic with such a huge size and serious disease condition through modern scientific and technological detection methods such as "non-damage survey technology" and "pigment detection analysis", combined with ancient calligraphy and painting. Restoration skills perform meticulous restoration.
During the restoration process, the Palace Museum adopted three non-invasive surface distribution information extraction methods: transillumination photography, multispectral imaging, and X-ray fluorescence surface scanning imaging.
This restoration work is a concrete manifestation of the cultural preservation concept of "culture + technology", and is also a classic example of modern cultural relics protection and display.
(Reporter Ying Ni produced Lu Huiqian)
Editor in charge: [Ji Xiang]