China News Service, Zhengzhou, March 29 (Yang Dayong) Sanxingdui cultural relics "new", online national cultural relics competition, Tang Palace Miss Sister's night tour to the museum... These are typical examples of cultural relics "live".

Recently, relevant experts said in an interview with reporters that the exquisite and exquisite cultural relics and cultural heritage of ancient times and modern cultural self-confidence have a strong echo between the past and the present, allowing ordinary people to directly feel the new charm and new pursuit of culture.

　　Recently, the unearthed cultural relics from the Sanxingdui site have attracted the attention of the world. For this reason, Sichuan launched a national cultural relics competition on the Internet. The four "Golden Masks", "Fangzun", Pottery Three-legged Cookware, and Pottery Pigs were posted on Weibo. Baby, then cultural relics from all over the country "showed up" one after another. The construction materials similar to cement concrete houses unearthed at the Yangshao Village site in Henan, the "horse stepping flying swallow" in Gansu, the "green-glazed brown bull-shaped lamp" in Zhejiang, and the "Qin Shihuang" in Shaanxi. Terracotta Warriors"...

　　For a time, cultural and cultural institutions across the country took out representative cultural relics such as the treasure of the town hall to "compete" on the Internet, and netizens feasted their eyes and shouted.

　　While netizens appreciate the wonders and wonders of Chinese cultural relics, they all expressed their sighs: "The cultural relics competition not only awakens the sleeping cultural relics, but also a gluttonous feast of Chinese culture." "Chinese culture has a long history, and the cultural relics fall on the artifacts. It is the container of cultural genes."

　　The reporter combed and found that the "new" and "competition" of cultural relics not only brought "life" and "fire" to cultural relics, but also promoted related industries.

　　Among them, from March 26 to the end of the Qingming holiday (April 5), many hotels near the Sanxingdui Museum were "full rooms"; the "Lost Treasures" archaeological blind box in Henan Museum was out of stock as soon as it was put on shelves; a village in Luoyang, Henan Copying, imitation bronzes and other online sales are big...

　　Take "Tang Palace Night Banquet" as an example. After its "fire", tourists rushed to check in to the museum, not only the corresponding hand-painted version, clay sculpture version, shadow puppet version, expression pack version and other forms of "Miss Tang Palace" frequently In addition, "Miss Tang Palace" is also busy shuttled through the various performance stages.

　　2021 is the 100th anniversary of the birth of Chinese archaeology, and cultural relics will become a hot spot of concern from all walks of life.

So, how to make more cultural relics "live" and let more cultural relics show the value of the times?

　　Some Internet experts believe that making cultural relics "live" is a systematic project. It cannot rely on an event or a program. Activities to make cultural relics "live" should be continuously launched to pass on and inherit the excellent traditional culture in different forms.

　　Liu Haiwang, the dean of the Henan Provincial Institute of Cultural Relics and Archaeology, said in an interview with a reporter from Chinanews.com that as long as it is beneficial to the cultural relics to "live" and is beneficial to the interpretation of the value of cultural relics to the public, scientific propaganda of archaeology and cultural relics protection should be promoted. As an archaeologist, Welcome and look forward to.

"The public publishes their thoughts and cognitions on cultural relics from multiple perspectives, and raises new questions. Some are very helpful. The more they discuss some issues, the clearer they will become. However, the competition of cultural relics is compared to cultural value, and cannot be compared to things that exceed the value of cultural relics. ."

　　"Cultural heritage must be'live'. There is no doubt that it is nothing wrong to'go out' from a museum into a program that can be enjoyed and a product to play with." Wang Zhenjun, director of the Cultural Industry Research Center of Zhengzhou University, believes that cultural products are first and foremost culture. Next is the commodity.

　　Qiu Zhiqiang, a long-time researcher of traditional culture, believes that Chinese excellent traditional culture is a source of cultural confidence that all Chinese people are proud of.

The unearthing of the Sanxingdui series of cultural relics more authentically supports the thesis that "Chinese civilization is the only civilization that has never been cut off", and makes our cultural confidence more concrete. The exquisite ancient cultural relics and cultural heritage and modern cultural confidence have a strong echo of ancient and modern. , So that the cultural pursuit of the general public has a new direction, and further stimulates the whole society to study and study the Chinese civilization and cultural relics and collect hobbies.

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