Byeon Yo-han, who returned after 4 years, "I also learned how to dismantle fish."

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is called the master of a period drama that focuses on the stories of people in history.

Director Lee Joon-ik is back with a film highlighting Jeong Yak-jeon, a scholar during the Joseon Dynasty.

In addition, I joined the role of Byeon Yo-han, an actor who returned to the screen after 4 years with this movie.

[Byeon Yohan/Actor: First of all, our movie may be difficult, but I only want the movie to provide comfort and comfort.

I just want to add even a small amount of power.]

[Byeon Yohan/Actor: During the Shinyu Persecution, Jeong Yak-jeon is exiled to Heuksan-do.

He's a scholar, but surprisingly, Mr. Jeong Yak-jeon became more interested in sea creatures than academics.

Then, I met a young fisherman on the island called Jang Chang-dae, who is thirsty for learning more than the sea.

So, it is a story of meeting each other, sharing knowledge, and becoming a teacher and friend.

Actually, there is a message that goes beyond that.]

[Byeon Yo-han/Actor: In the preface to Jaseonbo, there is a content written in the preface that Deoksoon Jang Chang-dae is poor but loved the book very much.

And it's been talked about 9 times.

Director Lee Joon-ik was in the foreword and made a certain essence of the screenplay with those mentioned a few times.

So, as an actor, I did my best to derive now, and I made a character named Jang Changdae through a lot of research while meeting the residents of Heuksan Island.]

[Byeon Yohan/Actor: First of all, the message of the movie was very heavy and resembles a lot from the present era.

And first of all, aren't you the director who trusts and sees?

I think that the reason why I'm in harmony with Director Lee Joon-ik and senior Seol Gyeong-gu, whom I usually admire, was the opportunity to participate in the work or not the courage.]

[Byeon Yohan/Actor: First of all, I admit that I have said that.

It sounded as a compliment to acknowledge and become a better junior and actor in the future.

So, I put it deeply in my heart, and after this asset assessment, I will do my best to make a better film and make a work.]

[Byeon Yohan/Actor: I think that I have already grown up just by breathing and breathing together in the camera because I am a senior I admired.]

[Byeon Yohan/Actor: I should have spoken dialect by all means, and since my job is a fisherman, I needed materials and things like living things, so I mobilized my network and prepared myself so that I could use the dialect freely.

In the case of fish care, I now met an expert and learned how to dismantle.]

[Yohan Byeon/Actor: First of all, I was a young actor, but I watched a black and white movie, when I was younger.

But I thought that it was a very honorable thing to be involved...

When it comes to black and white, it feels very heavy.

But our movie is really heavy.

And although it is black and white, I think it might be a more brilliant work than any other colorful work.]

You must

[Byeon Yohan/Actor: I don't have a sense of color, so I only focus on the actor's eyes, voice, scenery, and shape. In a way, it seems that there is a moment when that part touches the point of the actor's longing.

Therefore, it was a technique that allowed me to go into the essence without lying, and it was a very satisfying moment when I acted at that point, even if I was a little clumsy.]

[Byeon Yohan/Actor: Everyone must have a hard time...

In fact, the people who make this movie are in terms of culture.

It is an inseparable culture, and it seems that all we can do is comfort, comfort, and empathy.

So, I only hope that it will be a little bit of strength.]

[Byeon Yohan/Actor: This is what I always said.

I want to be an actor I need.

After this time, I don't know how long I'll be working on it, but at the end, I want to hear that the actor was really necessary for our culture, and it was necessary for our art.

It seems that all I have to do is keep moving forward.]