Amazon 'The Boarding School' Returns With Medieval Lodges, Troubled Youth, And A Totalitarian Reformatory
Netflix The disorder you leave or "the fear of the absence of love"
Sounds
Xoel Lopez
on the image of
Bárbara Lennie
and
Inma Cuesta
and landscapes of
Novariz
.
Natalia Lacunza's
voice
travels the corridors of Las Cumbres boarding school.
The ukulele and trumpet of
Kingdom
are superimposed on a purple background and yellow letters
.
The photos of a group of teenagers are intertwined with the tone of
Alfred García
.
Because now the series are beginning to the rhythm of
indie.
The
mainstream
and the
indie,
indivisible element.
The disorder that you leave, The boarding school: Las Cumbres, Valeria
and
Los espabilados
show the landing of this musical genre on television.
But also
Fariña
with
Iván Ferreiro
.
The
boom
of series in a world dominated by platforms has led some musicians, in the prime of their careers or in their takeoff, to compose originals for the audiovisual world, an unthinkable situation a few years ago.
"Whenever they have made me audiovisual proposals I have accepted them, I have never been prejudiced. If they look to you because they like your music and your style unless it is a horrible thing or they do not agree morally I will always accept".
That is the experience of Xoel López to whom a photo on Instagram with actor
Tamar Novas
opened the doors of
The Disorder You Leave
.
Its creator,
Carlos Montero
, saw it, wrote to Tamar to tell her that he was a fan of Xoel and that is how
La espina de la flor in your side
emerged
.
"
It was the shortest recording of my life, only a few seconds, then it was expanded to a song for my album. I wanted something short and intense, not having to cut", explains Xoel, who warns that the vision of the series in the music sector has changed "a lot".
"They came from being a reviled genre and considered of lower quality. Now it is at the same height as the cinema, everyone wants these projects."
A matter of generations.
Xoel López, composer of the song 'El desorden que dejas'J.
BARBANCHO
Neither the members of Kingdom -
Ane
,
Iván
and
Gomis
- nor Alfred García nor Natalia Lacunza raise that point.
Born in the late 90s, the series are one more element of his cultural life.
"At no time have I had that perception that a series is not as cool as a movie, perhaps it is by generation, but I like both projects.
The Internship
reaches more than 200 countries, it is a unique opportunity to hear you all those people".
There were no doubts in Natalia Lacunza to accept the offer that Amazon for the
reboot
of the Antena 3 series. "I had not seen it at the time but I knew it was going. It was to take the concept of a school with a not very clean background and mix it with the concepts of alarm, danger and flight. "
From Antena 3 Kingdom also reached the ears of Netflix.
After the official song of
La Voz
,
Valeria
appeared
.
"We come from the audiovisual world so doing this is a pleasure. They put the first chapter on us, we read the novel and we got to it."
A week and a half was the deadline to illuminate its composition.
"We get to have sleep paralysis from stress, but luckily we work well under pressure."
And, seven days later, going back to the beginning,
Valeria
emerged
.
"It
was the first demo that we had discarded because it seemed a bit corny to us, but when we put in a trumpet and a ukulele everything changed us and we saw it clearly."
As clear as Alfred García saw the opportunity for
Alberto Espinosa
.
It was at a
Tony Bennet
concert
, which was finally suspended due to the singer's indisposition, in the Pedralbes Gardens in 2017 when he had not yet passed through the
Operación Triunfo
academy
.
"I gave him an album of mine, nobody knew me there, and I started talking to him about my dreams and that I would like to write a soundtrack for him."
Three years later came the call for
Los Espabilado
in Movistar +.
"I do not understand that it can be considered a minor genre, the soundtracks of series or movies are also of our life. My musical culture comes from a good part of soundtracks," he concludes, quoting the singer-songwriters and composers
Albert Pla
,
Toni M. Mir
and
Pau Vallvé
.
All of them with music on the big screen, but the future seems to look to the little one
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