Headlines: farewell Thione
Audio 04:06
Senegalese singer Thione Seck, in Amsterdam, July 24, 1988 © Redferns / Frans Schellekens
By: Frédéric Couteau Follow
8 mins
Publicity
It is the big title in white letters on a black background of the daily
24 Heures
, in Dakar.
The disappearance of Thione Ballago Seck, one of the greatest Senegalese musicians, surprises and moves a whole country.
"
He passed away yesterday Sunday
," sighs the newspaper.
Thione Ballago Seck was 66 years old, he leaves behind an orphan people, millions of fans of all generations.
As soon as the news of his death was announced, the Senegalese invaded his house to share the pain with Kiné Diouf
"Diaga" who had
become his widow.
The songwriter of songs
Yaye Boy, Papa, Domou Bay, Yéén Bi, Balago, Yow, Diaga, Diongama, Boul Dof,
or
Number 10,
appeared to the general public in 1975 with his favorite title Sey.
The staging of his life tells the story of the times and in its own way Senegal and its society.
Something in every Senegalese is gone forever.
"
“
Senegal is crying
,” adds
WalfQuotidien
.
Usually so quick to serve up cheerful sounds, Thione Seck serves us, this time, such a sad note with the news of his disappearance which has made fans of his good music groggy.
This is because this talented musician known and recognized has been able to happily surf between generations by marvelously combining traditional and modern music.
"
An outstanding lyricist
And “
if there is one thing on which everyone agrees
, points out the daily
Enquête
,
it is the quality of the texts of the songs of Thione Seck.
"If a song does not make it possible to raise awareness, to inform, to advise, then it is useless,"
he said.
With Youssou Ndour, Omar Pène, Baaba Maal and Ismaila Lô, they formed the five majors of Senegalese song.
But
, continues
Enquête
,
Thione stood out thanks to his deep lyrics, with a vocabulary that was both sophisticated and accessible, hence his nickname:
"The lyricist of Senegalese music".
(…)
For more than three decades, he has been delivering evocative works with rare consistency.
His verses follow one another like winks, offering a panoramic view of society.
Indeed, without concession, he tells us and often depicts us as we refuse to see ourselves.
"
Youssou Ndour: his great rival
Still, Thione Seck was relatively unknown outside her country ...
“
Considered
(therefore)
as one of the greatest lyricists of Senegal
,
Thione Seck led a successful career, but
,
in fact points to
Jeune Afrique
,
he remained in the shadow of Youssou Ndour, his eternal rival, first ambassador of Senegalese music internationally.
"
In the 1980s, “
Thione Seck, with the Raam Daan, and Youssou Ndour, with the Super Étoile, were propelled to the forefront of the Senegalese music scene.
This decade marks the beginning of the golden age of mbalax and the rivalry between the two artists, although they both always refused to admit it.
But while Youssou Ndour's career is taking off internationally, that of Thione Seck remains largely confined to the Senegalese charts.
(…)
Thione Seck might well assure that he did not regret anything of his career, he still retained some resentment
, points again
Young Africa
.
"It happened to me many times to want to drop everything, he confided. But I had no choice. The only job I can do is singer."
His unexpected death also marks the halt to a sprawling production project that was to bring together more than a thousand ECOWAS singers.
Above all, he leaves the orphan mbalax.
And Senegal in mourning.
"
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