HOW MANY times have Paz Vega been reminded of the mud scene on
Lucía's
beach
and sex
, that portrait of her body directed by Julio Medem with the cloudy and sticky naivety of priests who spend too much time among children.
Paz Vega undressed inside the screen sheet two weeks before the planes filled Manhattan with asbestos and corpses,
the televised tragedy that cut, as mayonnaise is cut, the tumult of adolescents glued to the lockers
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