Understand the sentimentality of "Hello, Li Huanying" Understand those imperfect family relationships
The Spring Festival stalls were released hotly, breaking a single-day box office record.
Among them, "Hello, Li Huanying" has its own style, with continuous related topics, from "Jia Ling's mother" to "Zhang Xiaofei's saying I am treasure", and then from "Look at the sequelae of Li Huanying" to "Jia Ling spent four years writing a sketch Become a movie", one after another on the hot search list.
The film tells the story of Jia Xiaoling, after experiencing the car accident of her mother Li Huanying, traveled through time and space to return to the past, sharing her youth with her young mother, and chasing dreams. It carries Jia Ling, who is the director, screenwriter and actor of the film, and her memories of her dead mother. Miss.
In this comedy film about mother’s youth, we saw many happy scenes: Jia Xiaoling traveled back to 1981 to help her mother snap up TV, organize female workers and mother to participate in volleyball games, and help mother and factory director son Shen Guanglin In love, she uses her own way to make young mothers happy and happy.
The story is told in a special way, retaining the characteristics of the comedians and sketch actors themselves, and borrowing the personal characteristics of the actors, such as Feng Gong’s phrase "Dear fellow workers, I want to kill you", or the humorous dislocation of the plot, such as trying to match the mother with Shen Guanglin bought two movie tickets far away and other embarrassing scenes. In the laughter one after another, people seemed to forget that the movie was to miss his mother.
In the constant laughter, there is a hidden line. Jia Xiaoling, who travels through time and space, wants to help her mother change her destiny. She hopes that she will be like aunt Wang Qin, with a successful career, a wealthy family, and a child with a monthly salary of 80,000 in a prestigious university. But young mothers always say that as long as they live healthy, happy, happy and happy lives.
At the end of the film, Jia Xiaoling finally wakes up. It is not only herself but also the mother who travels back. Jia Xiaoling tries her best to make her mother happy. Why doesn't her mother try to satisfy her child?
This kind of "intertextuality" of emotions enriches the film's levels and gives emotions a place to vent.
That's why Zhang Xiaofei's phrase "My treasure" can become a hot topic, which carries the mother's instinctive love for her children without asking for anything in return.
It is in such a laughter, in such an absurd story, that parting seems so uncomfortable and reality appears so cruel.
Of course, some people think that this film is too sensational. The last part is to earn public tears, but imagine if you were Jia Ling, you might have already been in tears.
I am more willing to understand, rather than criticize this sensationalism. It is the expression of true feelings and the vigorous emotions in my heart finally have a way to release.
What's more, this movie is adapted from Jia Ling’s personal experience. It is derived from reality, so the audience can understand it better. From the sketch 4 years ago to today’s movie, it is told again and again, showing the heart again and again. Jia Ling made up and stitched up this lack of love.
Understand this sensationalism, and also understand those imperfect family relationships.
If the crossing in the movie is the make up method of Jia Xiaoling in the play, then the sketches and movies in reality are the make up method of comedian Jia Ling.
When reality is integrated into art, and when art sees reality, the boundary between the inside and outside of the film is blurred. This story about mother’s love, the shortcoming of “children’s desire to nurture but not affection” brings a huge emotional impact and group resonance, not only It bridges the creators and awakens the tearful viewers.
Chengdu Commercial Daily-Red Star News Special Commentator Huang Qiudi