China News Service, Guangzhou, December 28 (Reporter Cheng Jingwei) Guangdong Satellite TV's large-scale acrobatic cultural program "Four Thrones" is currently on the air.
Hong Kong female artist Zheng Xiyi also joined the show to provide the audience with different perspectives of watching acrobatics.
Hong Kong female artist Zheng Xiyi (data map) courtesy of Guangdong Satellite TV
Recently, Zheng Xiyi was interviewed by reporters during the recording of the show in Guangzhou. In response to “Is the focus of work shifted to the mainland now”, she said: “Actually, I don’t think I moved to the mainland. I just came back because I was a child. Born in Shanghai, I studied dancing and singing at the Shanghai Children’s Palace."
"I think I just went home." Zheng Xiyi said that due to the recent epidemic, it is not too convenient to return to Hong Kong, so I will spend a little more time in the Mainland.
Zheng Xiyi made her debut in Hong Kong when she was 18 years old, and then faded out of the entertainment circle for various reasons.
This summer, nearly 40 years old, she participated in "Sister Riding the Wind and Waves" in the Mainland, and successfully relied on this older girl group to grow a variety show to become popular, and returned to the audience's attention, especially by the mainland audience.
Since then, she has joined the children's sports reality show "Little Giant Games", the female "intellectual" sharing variety show "Sisters' Tea Party" and other mainland variety shows.
A few days ago, she came to Guangzhou again to join in the recording of "Fighting Four" with mainland acrobatic master Dong Zhengzhen and cultural scholar Ji Lianhai. The work schedule in the mainland can be described as non-stop.
Zheng Xiyi said that when she recorded "Fighting Four", she hoped that she would have a real experience just like an ordinary audience. She hoped that the acrobatic performers would give her many surprises.
"I think the performers on the stage are actually my teachers. They must have been trained for a long time before they can present these acrobatic performances on the stage."
In Zheng Xiyi’s view, at the level of acrobatics professional, she is actually not qualified to judge them (acrobats), but she can share years of stage experience and opinions with acrobats, so that they can better present their skills on stage. To the audience.
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