[Explanation] Acrobatics often use the performance of seeking stability in danger and seeking quietness in movement, causing the audience to suddenly exclaim and then clap their hands.

In 2020, which coincides with the 60th anniversary of the establishment of the Inner Mongolia Acrobatic Troupe, the reporter walked into the Inner Mongolia Acrobatic Troupe and reviewed the acrobatic troupe's journey from the depths of the grassland to the international stage together with the three generations of acrobats.

　　[Explanation] The 71-year-old Wuyun Qimuge is the first-generation actor of the Inner Mongolia Acrobatic Troupe and the first Mongolian actor recruited.

She joined the group at the age of 11 and practiced acrobatics while learning Chinese.

She recalled that the performance team at that time was like "Ulan Shepherd Riding", often flowing on the grassland, setting up the stage wherever the herders were.

　　[Concurrent] Wuyun Qimuge, the first-generation actor of Inner Mongolia Acrobatic Troupe

　　Because our performances are all going up to the mountains and down to the countryside, pastoral and agricultural areas are served, and sometimes we also perform for them when it rains, sometimes catching up with the bad conditions, some shows are struggling to perform, and sometimes suffer. Affects, but does not affect the enthusiasm of herders.

　　[Explanation] Today, the Inner Mongolia Acrobatic Troupe has taken its footsteps from the depths of the grasslands to the world, with footprints in more than 60 countries and regions on five continents.

Among them, the High Car Flying Bowl series has won many awards in international competitions. In 2017, one person set the Guinness World Record with 32 bowls within 40 seconds.

However, behind the brilliance of success is the silent dedication of generations of acrobats, and Wang Menghao, the "post-85" is one of them.

　　[Concurrent] Inner Mongolia Acrobatic Troupe actor Wang Menghao

　　The leg injury was caused by an accidental injury during training, but there was a particularly important performance of our bowling program at that time, and we did not take a break, and then we continued to train, and finally persisted until the end of the performance, and then went to shoot the NMR. When (the ligament) has been completely broken, it is equivalent to kicking off one's own ligament with one foot and one foot, and still persisting like this.

　　[Explanation] In recent years, the Inner Mongolia Acrobatic Troupe combined with the ethnic culture of the local Mongolian nationality and made innovations in the form and content of the work. It participated in the choreography of China’s first large-scale horse stage play "Song of the Eternal Horse", as well as the "Eternal Horse" with national characteristics. "Archery", "Bock Warriors", "Swan Goose" and other dramas.

The 14-year-old Wang Jichang has been learning acrobatics for 8 years and is currently the youngest actor in the acrobatics troupe.

Regardless of his age, he has already undertaken the performance of important plays such as "The Wild Goose" and "Eternal Horse Song".

　　[Concurrent] Inner Mongolia Acrobatic Troupe actor Wang Jichang

　　I first saw (acrobatics) on TV, and then proposed to my father (learning acrobatics).

It turned out to have been injured and stitched, and it was quite bitter. Then every time I got on stage, I felt very good, and I would stick to it in the future.

　　[Explanation] It is understood that at present, the Inner Mongolia Acrobatic Troupe has performed more than 19,000 shows at home and abroad, with a total of more than 24 million audiences.

At the beginning of its establishment, the Inner Mongolia Acrobatic Troupe paid special attention to the cultivation of ethnic talents. On the basis of the actor team in Beijing branch, it continued to absorb ethnic minority actors, and continued to make progress in the cause of prospering ethnic culture and art.

　　[Concurrent] Tana, Head of Inner Mongolia Acrobatic Troupe

　　A lot of our creative inspiration comes from the life and production of our Mongolian people, so everything is a fusion of our art and local culture, which can raise acrobatics to an artistic level and a drama level. , To show to the audience, this in itself is our kind of innovation and a kind of development.

　　Reporter Chen Feng reports from Hohhot

Editor in charge: [Li Ji]