Should we distinguish the work of its author?

with Gisèle Sapiro and Vanessa Springora

Audio 29:00

The essayist Gisèle Sapiro in studio at RFI (December 2020) © RFI / Catherine Fruchon-Toussaint

By: Catherine Fruchon-Toussaint

33 mins

Gisèle Sapiro is research director at CNRS and director of studies at EHESS, specialist in the engagement of intellectuals and the relationship between literature and politics.

She is the author of "La Responsabilité de l'ecrivain."

Literature, law and morality in France ”(19th-21st centuries), Seuil, 2011 and“ Des mots qui tuent.

The responsibility of the intellectual in times of crisis ”(1944-1945), Points Seuil, 2020.

Publicity

Cover of Gisèle Sapiro's essay © Seuil

“In 

recent years, the question has resurfaced with force

: can we separate the work from its author

?

From the Nobel awarded to Peter Handke to the Caesars to Roman Polanski, not to mention the Renaudot Prize to Gabriel Matzneff, the debate rages on.

Likewise, the Nazi past of great thinkers of the twentieth century, starting with Heidegger, disturbs our appreciation of their legacy, while the inclusion of a Céline or a Maurras in the book of national commemorations has sparked a bitter dispute.

Should we consider that the morality of works is inextricably linked to that of their authors

?

And ban works when their author is at fault

?

Far from invective, this short essay intends to put this question into perspective, historical, philosophical and sociological, by analyzing the positions taken in these "

cases

".

But far from "

everything is worth

", he decides, offering everyone the means to progress intellectually on a terrain strewn with pitfalls.

 »(Presentation of the Seuil editions)

Cover of Vanessa Springora's book © Grasset

Testimony of Vanessa Springora

,

writer and editor and author of the book

Le Consentement

 published by Grasset, awarded the “

Author of the year

trophy

awarded by Livres-Hebdo.

“ 

In the mid-1980s, brought up by a divorced mother, V. fills the void left by a father with absent subscribers by reading.

At thirteen, at a dinner party, she meets G., a writer whose sulphurous reputation she ignores.

From the first glance, she is struck by the charisma of this fifty-year-old man with false airs of a bonze, by his enamored glances and the attention he pays her.

Later, she receives a letter in which he declares his "urgent" need to see her again.

Omnipresent, passionate, G. manages to reassure her

: he loves her and will do her no harm.

When she has just turned fourteen, V. offers herself to him body and soul.

The threats of the miners' brigade reinforce this dangerously romantic idyll.

But the disillusion is terrible when V. understands that G. has always collected love affairs with adolescent girls, and practices sex tourism in countries where minors are vulnerable.

Behind the flattering appearances of the man of letters, hides a predator, covered by part of the literary milieu.

V. tries to tear himself away from the hold he has over her, as he prepares to tell their story in a novel.

After their breakup, the ordeal continues, because the writer continues to reactivate the suffering of V. through publications and harassment.

 "

“ 

For so many years my dreams have been filled with murder and revenge.

Until the day when the solution finally presents itself, there, before my eyes, as obvious: to take the hunter in his own trap, to lock him in a book

 ”,

she writes in the preamble to this liberating story.

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