Chinanews.com.cn on December 11th, Dianshengdan has a collection of clean and ugly masters, with beautiful outfits and makeup.
In the Anhui Guild Hall on December 10th, great dramas are being staged. The live broadcast season of "Beijing Colors" with the theme of promoting the excellent traditional culture of the Chinese nation and promoting the quintessence of Peking opera will bring a traditional cultural audiovisual experience to Beijing in the winter. feast.
The live broadcast was held in the theater building of Anhui Guild Hall in Beijing, which is one of the four existing folk theaters in Beijing.
The first performance focused on introducing and demonstrating the four major lines of Peking Opera-Shengdan Jingchou. Young actors from famous Peking Opera troupes such as the National Peking Opera Theater and Beijing Peking Opera Theater performed "Wenzhaoguan" and "Noble Concubine" for netizens in front of their mobile phones. Classic excerpts from Peking Opera, such as Drunkenness, Chisang Town, and Sanchakou, also reveal the unique skills of Peking Opera performing arts.
According to reports, this one-month live broadcast of opera, directed by the Beijing Network Culture Association and hosted by Momo Technology, will bring 4 unique live broadcasts of Peking Opera art to netizens, from famous singers to unique secrets, from singing and playing to playing The knowledge of makeup and hair leads netizens to understand the quintessence of Peking Opera art.
Professional performances are popular and popular science, and the live broadcast room of online fanciers praises famous figures
There are thresholds for art appreciation, and even more for art promotion.
In order to make better use of live broadcasts to promote the national essence of Peking opera, familiarize with the characteristics of network communication, and understand the preferences of young netizens, the young Peking opera actors Guo Jing and Liu Zhen are guest "anchors", combined with several young Peking opera actors from the National Peking Opera Theater and Beijing Peking Opera Theater. Professional performance, through humorous and easy-to-understand expressions during the live broadcast, to share knowledge of Peking opera to netizens.
Tian Hao, a young and veteran actor, brought an excerpt from the classic play "Wenzhaoguan" to the audience.
The member Wu (ie Wu Zixu) played by Tian Hao received a series of likes as soon as he debuted.
Wu Zixu's white beard passed Zhaoguan overnight, and Tian Hao's singing was restrained and full of charm.
Tian Hao introduced when interacting with netizens after the performance that "Wenzhaoguan" is an important singing performance by old students. It has a very high artistic status in Liyuan and was once the representative play of "Big Boss" Cheng Changgeng.
In the live broadcast room, some netizens asked about the relevant knowledge of Peking Opera.
According to Guo Jing, "sheng" refers to the male characters on the stage, which can be further divided into old students, young students, Wusheng, and dolls according to the differences in the age of the characters and performance characteristics.
The "dan" line is divided into Tsing Yi, Hua Dan, Lao Dan, Wu Dan and Daoma Dan.
According to Guo Jing, there is a saying in the Peking opera circles: "If you want to eat, you will get a nest (egg)", which means that if the troupe wants to survive, the dance plays a very important role.
Some netizens said in the barrage that it turns out that Peking Opera also has a "big female lead."
Lu Jie, a Tsing Yi actor of the Beijing Peking Opera Troupe, plays "The Drunken Concubine" Yang Guifei
Mei Pai's representative play "The Drunken Concubine" is a famous Danjiao drama, which was carved and embellished by Mr. Mei Lanfang's life's hard work.
Lu Jie, a Tsing Yi actor from the Beijing Peking Opera Troupe who plays Yang Yuhuan, is also the third generation heir of the Mei School.
Yang Yuhuan, played by Lu Jie, admires herself after being drunk, and her noble and gorgeous appearance and contagious singing show the beauty of the imperial concubine.
Excerpts from the performance of "Chisang Town" by outstanding painted face actress Cai Jingchao and young old actor Yang Yang
Liu Zhen introduced that Jingxing is what we often call "big face", and facial makeup is the most colorful.
Generally, they are men with bold, rough and "characteristic" looks.
The outstanding painted face actor Cai Jingchao of the National Peking Opera and Yang Yang, a young old actor of the National Peking Opera Theatre, brought to the audience excerpts from the famous painted face drama "Chisang Town".
Bao Zheng played by Cai Jingchao is majestic and majestic.
Wang Chao, a young ugly actor of the National Peking Opera Theater, and Song Yalong, a Wusheng actor from the National Peking Opera Theater, brought wonderful excerpts from "Sanchakou", vividly interpreting the virtuality and exaggeration of traditional Chinese opera to the audience, showing the non-physical performance on the Peking Opera stage It's so vivid.
A netizen said, "The introduction of the anchor is very interesting, and Shengdan has its own charm. I hope that we can feel the beauty of our traditional culture."
The premiere of "Jing Cai Gathering" at the Anhui Guild Hall also has special meaning.
This year coincides with the 230th anniversary of the Huiban’s entry into Beijing. The four major Huibans entered Beijing to compete on the same stage with many famous actors, which gave birth to the birth of the national quintessence of Peking Opera. The third-class famous actors at the time performed here.
"We Peking opera people hope that through the professional performances and popular science explanations of Peking opera, more young people can learn about and fall in love with the art of Peking opera through the Momo platform."
Grasp the pulse of the trend, Momo promotes traditional culture
For many years, Momo has been committed to spreading the excellent traditional culture of the Chinese nation, including Peking Opera, and is the first platform in the industry to test the live broadcast of traditional Chinese opera.
According to reports, since 2017, Momo has attracted many professional drama and opera actors to live on the platform for a long time, and has cultivated a large number of online fans who love Peking Opera.
Momo, which started socially and has gathered a large number of young people, is a platform with diversified and rich content and the Internet platform that understands young audiences best.
Including the quintessence of Peking Opera art, Momo has made various attempts to promote the excellent traditional culture of the Chinese nation, continuously enriching its live broadcast content and communication methods.
With its unique sense of reality and substitution, live broadcasting provides a broad space for the dissemination and innovation of traditional culture.
National treasure-level non-genetic inheritors bring nuclear sculpture, ancient color tricks, ventriloquist performances, national instrumental troupe artists, national instrumental music performances, shadow puppets, Beijing piano books, clay figurines Zhang Caisu, internal painting snuff bottles and other intangible cultural inheritors in the live broadcast room Performance.
Trend culture and classic culture collide and merge with young people in the live broadcast room. Through the discourse system that Internet audiences like, the quintessence of the country is rooted in the hearts of the younger generation.
Culture needs to be guarded, and it needs to be passed on.
Most of the Peking opera actors who brought wonderful performances and explanations to netizens are outstanding Peking opera talents born in the 90s and 95s. Their appearance on the live broadcast platform represents the development of the quintessence of Peking Opera from generation to generation. It also represents the attempts and efforts of the younger generation of Peking opera artists to spread the art of Peking opera to young netizens by means of live broadcast on the Internet.
While providing a broader stage for practitioners of traditional culture, Momo also provides more opportunities for young audiences to get in touch with classics, leading the post-95s and even post-00s to enter the palace of traditional culture.
Conducting live webcasts and communicating with young people in a younger way has also become the consensus of artists.
The innovation of expression has also allowed more young people to rekindle their interest in traditional culture.