China News Service, Xiamen, November 27 (Reporter Yang Fushan) The Golden Rooster Film Festival Chinese International Screenwriting Theme Forum with the theme of "China·Story·Power" was held on the 27th in Huli District, Xiamen.

  The gold medal screenwriter, gold producer, senior filmmaker, and industry veteran practitioners in the Chinese-language film industry have completed their work. How to get rid of the myths of the screenwriting industry from the source, the industrialization of screenwriting in the era of film revolution, and the road to professionalization of screenwriting, etc. Three industry cutting-edge topics were exchanged and discussed, working with industry practitioners to dig deeper into the Chinese story and show their power.

The Golden Rooster Film Festival Chinese International Screenwriting Forum with the theme of "China·Story·Power" was held in Xiamen on the 27th.

Photo by Yang Fushan

  Yang Lijun, Secretary-General of the Organizing Committee of the Chinese International Screenwriting Forum and Vice President of Minghe Group, Former Chairman of the Hong Kong Film Awards, Wen Jun, screenwriter of the "Young and Dangerous" series, Zhao Ningyu, screenwriter of "King Kong River", Golden Rooster Award for best screenwriter "The Hidden Corner" script planner, "Eight Hundred" screenwriter Hu Kun, "Xia Yan Cup" annual script gold award winner, "Fanghua" literary planner Yang Jinsong, Golden Horse Award for best original script (nominated) "Heart Labyrinth" Feng Yuanliang, Golden Rooster Award The best screenwriter "Everlasting Land", screenwriter Ami, Haima Qingfan founder and CEO Liu Xiaoyi, Haima Qingfan co-founder Zhao Nan and other guests attended the forum.

  Hu Kun said in an interview with a reporter from Chinanews.com that if the screenwriter wants to give the audience a bowl of water, he must use a bucket of water himself.

  Zhao Ningyu told reporters that for a qualified screenwriter, his professional ability, social experience, and creative ability, including his familiarity with the entire film industry chain, are very necessary.

  In the "Luyu Screenplay Talk" session, the host Chen Luyu had a cutting-edge dialogue with Hu Kun, Amei, Zhao Ningyu, Wen Jun, Feng Yuanliang, Yang Jinsong and Zhao Nan to face the current situation of the industry.

  During the discussion on the plight and development of Chinese screenwriters, the guests said that the Chinese film industry in the early stage of film industrialization cannot achieve high-quality development without the establishment of the script and screenwriter system, as well as the industrialization and professionalism of the screenwriting industry. Development.

  The industrialization of Chinese films has always been a major event in the minds of filmmakers, and the industrialization of screenwriters is one of the key points in this major event. In the midst of technological progress and changes in the media environment, people are about to usher in movies. Big change.

  Feng Yuanliang, Yang Jinsong, and Zhao Nan discussed and shared the theme of "How to take the road to professionalization of screenwriters?" in the roundtable forum hosted by Xu Weibing, chief creative officer of Minghe Culture.

  As the first professional platform in Mainland China with screenwriters as the core and cultural industry demand as the guide, linking the entire cultural and entertainment industry chain and the cultural and creative industry value chain, the Chinese International Screenwriting Forum has been carrying the original intention of "the drama itself as the foundation" since its establishment. Discover and cultivate "core talents in Chinese stories", cultivate outstanding young screenwriters, create fine art works, and build a sound Chinese screenwriter ecosystem based on this, and continue to build strength to help promote the industrialization of screenwriters.

  The organizer stated that in the future, the Chinese International Screenwriting Forum will continue to find new directions for Chinese-language screenwriters from multiple perspectives, seize opportunities in the challenges of film revolution, discover outstanding creators and works, and help the development of screenwriting industry. Chinese story.

(Finish)