Review: Borat subsequent motion picture: Delivery of prodigious bribe to american regime for make benefit once glorious nation of Kazakhstan

In his short time in political power,

managed to push the boundaries of what a leader can say and do without being punished, so the question is whether Borat has met his superior in the art of exposing the absurdities of power.

Almost, but not completely.

The cornucopia of stupidity will never subside.

Yes, you know who Borat is: An extremely prejudiced, sex-fixated, ultra-reactionary, anti-Semitic man with a view of women at the caveman level.

However, not evil, just very, very stupid.   

Big-eyed and almost magically

uneducated, he once again takes the plane to the United States, this time to hand over his 15-year-old daughter Tutar (the 24-year-old Maria Bakalova) as a gift to Vice President Mike Pence.

The concept is genital humor mixed with broad satire.

Fart and politics.

Always popular. 

"McDonald" Trump is only with indirect, Cohen could never get close to him with his hidden camera.

However, the president's lawyer Rudy Giuliani is tricked into participating in a fake flirtatious interview conducted by young Tutars.

It ends with Giuliani lying on a bed with his hand on his way down his waistband, when Borat storms in and shouts "Stop!

She's too old for you! ”

Which has given a lot of headlines…

And of course, the ignorance

and the outright fascist attitude that some participants show towards dissidents are fascinating.

Then the laughter gets stuck in the throat and dusk rolls in.

Cohen's film also paints an extremely brain-dead form of anti-Semitism, which assumes that Jews have claws and eat small children.

The worst thing is perhaps the "information" that the Kazakhs are celebrating Holocaust Remembrance Day, but not to honor its victims but "the guards who kept order in the camps."

It is a disturbed but in this context ingenious reversal of perspective.

With it, Cohen (who is himself a Jew) also exposes the irrationality of more widespread conspiracy theories, such as the Jews being behind most of the world's evil.

Yes, a bit like Henrik Dorsin did

with the lovely homophobic song It's the gays' fault.

Strangely enough, there are people who take such grossly overly clear satire seriously.

Confuses text with subtitles.

Dorsin's song was reported for incitement against ethnic groups, and Cohen has already been sued by a Holocaust survivor's estate.

In the long run, the second visit

to

on the repetitive, the story is negligible, the jokes too given, but Sacha Baron Cohen's stated purpose with the film is not just to entertain;

he wants to warn us that democracy in the United States is under great threat.

And he manages to convey that with full emphasis.

Mission accomplished, to quote George W Bush.