[Explanation] On October 22, the national boutique project "Chinese Culture Lecture Hall" launched by the Central Museum of Literature and History was officially launched in Beijing.

The "Chinese Culture Lecture Hall" took two years of preparation, and invited more than 130 Central Librarians, Special Researchers, Local Librarians and Specially-Invited Experts from the Central Literary and History Research Center to provide lectures, forums, exhibitions, art Creation and other forms share the essence of the country for the public.

  [Explanation] On the same day, Shan Jixiang, Dean of the National Palace Museum and President of the Chinese Society of Cultural Relics, as a special researcher of the Central Museum of Literature and History and the first expert in the lecture hall, gave a lecture on "The First Lesson of Chinese Context and Cultural Confidence".

Shan Jixiang said in an interview that in the past year, the epidemic has impacted the cultural industry and brought more thinking to cultural workers.

  [Concurrent] Shan Jixiang, Dean of the Palace Museum and President of the Chinese Society of Cultural Heritage

  Indeed, a sudden epidemic gave us a lot of thinking.

Many of the important answers are in the wisdom of our 5000-year-old Chinese civilization. Therefore, we must dig deep into our excellent Chinese traditional cultural resources and continuously condense them into the understanding of these cultures that are meaningful to our reality. We are able to move towards the future in a healthy and healthy manner. Therefore, the cultural heritage protection department and our cultural relics workers have a great responsibility. They should constantly change the form according to the actual needs of people’s cultural life. Many traditional cultural resources are revealed, studied, and repaired, so that more of them can be returned to people's social life.

  [Explanation] In the past year, "cloud technology" has been used more in the cultural and cultural industry, with "cloud lectures", "cloud forums" and "cloud exhibitions" emerging in endlessly.

In Shan Jixiang's view, the "cloud model" of the cultural and cultural industry is only a stopgap measure during the epidemic, but new technologies and platforms will provide more possibilities for people's study and life after the epidemic.

  [Concurrent] Shan Jixiang, Dean of the Palace Museum and President of the Chinese Society of Cultural Heritage

  During the epidemic, people read and write at home, but more people also feel the new technology, Internet technology, digital technology, so during this epidemic, the development of this business has been promoted, and people are accustomed to using our cloud Lectures, our exhibitions on the cloud come to enrich (life).

But I think it is not a stopgap measure. It should gradually become an important tool in our lives. It is convenient to use the fragmented time to be able to get in touch with the colorful and colorful traditional culture or modern culture, so In fact, this epidemic is a new inspiration and insight into the way we learn in this real life today.

  [Explanation] Before this, a documentary film "I repaired cultural relics in the Forbidden City" was popular online.

In the following years, the number of applicants for the Forbidden City has increased year by year.

In recent years, majors in archaeology and cultural arts have also been favored by young students.

Shan Jixiang said frankly that it was beyond his expectation that the documentary can be loved by so many young people.

  [Concurrent] Shan Jixiang, Dean of the Palace Museum and President of the Chinese Society of Cultural Heritage

  Why is it called unexpected, because when this film was made, it was a slow-paced film. I hope that many middle-aged and elderly people who have time will be able to watch it with a sense of intimacy, but I did not expect that after the broadcast The most likes are young people, especially young people under the age of 35, especially students in school. This has triggered a (phenomenon) that lasts for several years. Every year, the number of young people who apply for the Palace Museum to repair cultural relics Wanji, in fact, I am worried that they came here because they watched the movie while picking persimmons, teasing wild cats, and playing the guitar so romantically. In fact, this is a life-long contribution, obscurity, and loneliness ( jobs).

It takes a lifetime to choose a career.

So many young people today have such feelings, which really touches us.

  [Commentary] It is reported that in addition to Shan Jixiang, Sun Ji, Fan Jinshi, Wang Liping, Xue Yongnian, Zhong Chengxiang, An Jiayao, Tian Qing, Chen Xiaoguang, Su Shishu, Liang Xiaosheng, Chen Lai, Fan Di'an, Wang Shi and other Chinese scholars, art and literature masters , And will continue to meet with the public.

They will lead the public to study classics, explore cultural heritage, visit cultural landscapes, and enjoy artistic aesthetics from multiple dimensions such as Chinese context, Chinese poetry, Chinese art, Chinese folk art, cultural heritage, philosophy and history, in a way that people love.

  Reporter Fan Siyi reports from Beijing

Editor in charge: [Li Yuxin]