China News Service, Cangzhou, September 24 (Cui Tao and Liu Guanghe) At the 6th Beijing-Tianjin-Hebei Intangible Heritage Exhibition, the 59-year-old Shi Tongding, the representative inheritor of the national intangible cultural heritage project Cangzhou Wushu, said the most It is the word "inheritance".

  On the 24th, the 6th Beijing-Tianjin-Hebei Intangible Heritage Exhibition was opened in the Cangzhou Grand Canal Ecological Restoration Exhibition Area. 183 Beijing-Tianjin-Hebei intangible cultural heritage projects were unveiled here.

The picture shows 59-year-old Shi Tongding, the representative inheritor of Cangzhou martial arts, a national intangible cultural heritage project, leading his disciples to perform on stage.

Photo by Han Bing

  Shi Tongding is the eighth-generation heir of Botou Liuhe Boxing. He followed his father to practice martial arts since childhood.

In 2002, Shi Tongding built Liuhe Martial Arts Hall and began to teach his students how to practice martial arts.

In order to let more young people understand Liuhequan, Shi Tongding opened an account on the live broadcast platform to pass on the intangible cultural heritage through the "cloud".

  In this martial arts performance, three generations of Shi Tongding's ancestors and grandchildren performed on the same stage, performing martial arts routines of Liuhe Dao, Liuhe Big Spear and Liuhe Boxing.

On the stage, Shi Tongding's students performed coherent moves and vigorous movements, which won the audience cheers.

  "I hope that through this show, I will show the charm of Liuhe Boxing, let more people understand Liuhe Boxing, practice Liuhe Boxing, carry forward Liuhe Boxing, and let Liuhe Boxing go to the world." Shi Tongding said.

The picture shows the fifth-generation heir Zhou Shizhen is introducing gourd crafts to several visitors to the exhibition booth in front of the production skills of the intangible cultural heritage "Gourd House" in Tianjin.

Photo by Han Bing

  In front of the booth of Zhayan kite-making skills in Beijing, Yang Liping, the inheritor from Beijing, was introducing this ancient technique to the students who were visiting, and also gave some exquisite kites to these students.

  "This kite is painted with cats, butterflies and peonies. The homophony of the kite is called'old man's wealth', which means the elderly are rich and auspicious, healthy and long-lived." Yang Liping said.

  Yang Liping said that these kites contain profound Chinese culture. He hopes that these kites can take root in the hearts of young students and attract more young people to learn about this ancient technique and like it.

  In front of the exhibition booth of Tianjin's intangible cultural heritage "Gourd House" production skills, the fifth-generation heir Zhou Shizhen is introducing the exemplary production skills of gourd crafts to several visitors to the exhibition.

At this booth, daily necessities such as tea cups and hip flasks made of gourds attracted audiences to stop.

  "'Gourd House' originated in the Guangxu period of the Qing Dynasty, and has a history of more than 120 years.'Gourd House' means a house that makes gourds, and its gourd making skills are very extensive. Our main inheritance is the fan-made gourd skills, which is to use molds. Make the gourd grow and take shape according to people's wishes."

The picture shows Beijing Zhayan kite making skills.

Photo by Han Bing

  Zhou Shizhen said that as the inheritors of this technique, they have been innovating, creating a variety of daily necessities made of gourds, and let gourd crafts come into people's daily life.

They opened a gourd museum in Tianjin, which has become an education base for students on the craftsmanship of "Gourd House", hoping that this craft can be carried forward among the people.

  During the joint exhibition, the non-heritage acrobatic poem "A Ship Bright Moon Passes Cangzhou" performed at the Cangzhou Culture and Art Center fully demonstrated the charm of Cangzhou acrobatics. The holographic projection technology and other modern technologies are combined to present the Grand Canal culture to the audience in a new form.

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