China News Service, Zhengzhou, August 16 (Reporter Liu Peng, Li Guigang, Li Chaoqing) In response to media reports about "Cao Cao’s tomb cultural relics will be fully exhibited for the first time", the leader of the Cao Cao Gaoling archaeological team and the Cao Cao Gaoling cultural relics exhibition project of the Henan Provincial Institute of Cultural Relics and Archaeology are responsible In an interview with reporters, Pan Weibin said that after more than 10 years of hard work, more than 970 cultural relics unearthed in Cao Cao’s Gaoling have been restored. The cultural relics exhibition project is planned to enter the exhibition stage early next year, when the funeral objects marking Wei Wu’s status will be displayed in a concentrated manner.
In December 2009, the State Administration of Cultural Heritage identified the tomb of Cao Cao in the south of Xigaoxue Village, Anfeng Township, Anyang City, Henan Province. After that, Cao Cao's Gaoling was named "2009 National Top Ten New Archaeological Discoveries". In 2013, it became the seventh batch of national key cultural relics protection units.
Recently, the archaeological expert Pan Weibin, who was called "the first person to excavate Cao Cao Gaoling" by the media, was interviewed by reporters in Zhengzhou, Henan, and responded to the recent public concern that "the cultural relics of Cao Cao's tomb in Anyang, Henan will be unveiled for the first time" and the progress of the Cao Cao Gaoling cultural relic display project .
“Cao Cao’s Gaoling Cultural Relics Exhibition Project is under construction. Affected by the epidemic, this year’s cultural relics display project has been affected to a certain extent.” Pan Weibin told reporters that since the beginning of the excavation of the Cao Cao Gaoling Archaeological Project in the winter of 2008, he and his team have performed major tasks. Putting it into the arrangement and research of cultural relics in Gaoling.
According to Pan Weibin, "After more than 10 years of hard work, at the earliest next year, the Cao Cao Gaoling Cultural Relic Exhibition will be able to meet with the public at the earliest. Friends who care about Cao Cao's tomb can visit the Cao Cao Gaoling to learn more about the life of Wei Wu Wang Cao Cao."
According to Pan Weibin, more than 970 cultural relics have been restored from the tomb of Cao Cao, and some have not been restored. If the restoration can reach more than 1,000, many of the cultural relics unearthed can reflect Cao Cao's unique identity.
"Because he was buried as a prince and king, but what he enjoyed was the etiquette of the emperor, such as the golden car, the silver car, and the twelve crowns." Pan Weibin said, "In terms of etiquette, Gaoling unearthed Twelve pottery tripods are the standard equipment for the emperor's death. From these cultural relics, we can see that they are not enjoyed by ordinary ministers. These are unique to Cao Cao."
Pan Weibin said that most of the cultural relics will be on display, especially those that can mark the identity and status of King Wei Wu.
Pan Weibin told reporters that the Cao Cao Gaoling Ontology Protection and Exhibition Project consists of two parts. One part is the cultural relic display, which mainly collects and displays the cultural relics unearthed in Gaoling. The other part is the protection of Cao Cao’s tomb and the protection of ground relics.
Talking about the uniqueness of the Cao Cao Gaoling Cultural Relics Exhibition, Pan Weibin said that the sense of the scene will be very strong, and each cultural relic will have a detailed interpretation. For example, the unearthed Gui, why does it appear here? What is the problem here? What does the unearthed weapon have to do with the identity of Cao Cao? Moreover, every cultural relic has continuity with each other, and no cultural relic will appear suddenly.
Pan Weibin said, “Most of the cultural relics exhibitions in some museums are more traditional. Our cultural relics exhibition will be a 360-degree display, background introduction, usage method, function introduction, and some issues that can reflect the funeral system at that time. It may not be seen in other museums. The content is relatively rich and the language is popular, and the audience can understand it at a glance."
In response to the treacherous and vicious side of Cao Cao that has been shown in some film and television materials over the years, as the leader of the archaeological team responsible for the Cao Cao Gaoling project, Pan Weibin said that Cao Cao has a huge influence in history, and most of the art forms such as literary works or dramas describe him. It is inaccurate. It is a distortion of his image. In fact, Cao Cao is not such a person. Facts speak louder than words. I hope everyone will come to know the real Cao Cao through observation and judgment. "(Finish)