Qilu Evening News Qilu One Point reporter Shi Wenjing

  Shao Bing, who has a tough appearance and full of masculinity, is the childhood god of the "post-80s" audience. In 1996, Shao Bing became famous with the tragic hero Gesang in the movie "Red River Valley"; in the legendary "Chinese Hero", the masculine spirit of Du Xinwu played by Shao Bing overflowed the screen, and the character's chivalrous tenderness left many audiences behind deep impression. Shao Bing played in the movie "Emergency Landing", the captain Li Jiatang who is not afraid of danger, the second child in "Let the Bullets Fly", and the anti-Japanese hero Daniel in "Eight Sons" are also tough characters.

  Nowadays, hard-hearted, tender and tough guys are rare on the screen. Shao Bing began to look for more suitable roles in various idol dramas and online dramas. In "Illusion City", he plays the ruthless "Ice King" full of ambition, exuding a domineering atmosphere; in "The Two Worlds", he plays the emperor who is gazing at the world and fighting for power. Shao Bing said that there is nothing that an actor can't perform. If you keep up with the pace of the times and love your profession, you will get the respect it deserves.

  In the popular e-sports drama "Crossing the Line of Fire" starring Lu Han and Wu Lei, Shao Bing portrays the image of a loving father. "Son" is Wu Lei who plays his father and son for the second time. On the day of the broadcast, Shao Bing posted two screenshots of his collaboration with Wu Lei. One is "Magic Sword Life and Death Chess" in 2008, when Wu Lei was still a child; the other is "Crossing the Line of Fire" with the text "Time" It flies so fast, it's been 12 years in a blink of an eye."

  "Crossing the Line of Fire" tells a youthful and inspirational story about a group of young people who are reluctant to admit defeat in an e-sports competition. Lu Tianming, played by Shao Bing in the play, is a people's policeman and the father of two boys. In a scene where the elder son Lu Xiaonan died in a car accident, Shao Bing contributed a very contagious crying scene. The pain of a white-haired man sending a black-haired man is all embedded in the actor's acting skills. Some audience members said that they could feel "real heartbreak" by being "made into autism" by Shao Bing's crying scene. From the beginning, Lu Tianming resolutely opposed Xiaobei’s playing e-sports, and later resolved his happy knot with his son and realized his dream together. The logic of the characters is simple and clear. They are not complicated characters, but each time the characters appear emotionally full, Shao Bing plays It's wonderful.

  Change with the market

  Fight for the opportunity to do something

  Qilu Evening News·Qilu One Point: The new drama is a web drama with an e-sports theme. Do you know this industry?

  Shao Bing: I never play e-sports, and I don't understand it. I don't care about e-sports at all when I play this drama. I only care about "son". Encourage "son" to play e-sports, just as he went to a football game. I don't understand the e-sports industry and it doesn't affect my interpretation of this role. This is totally fine.

  Qilu Evening News·Qilu One Point: "Crossing the Line of Fire" is a story of young people, gathering a large group of young actors. Your role is one of the few middle-aged people in the play. Why did you participate in the play?

  Shao Bing: Now it is the world of young people. Most of the dramas are online dramas. Now it is also time to watch traffic.

  The Internet is geared towards young people. The themes and types of online dramas are becoming more and more diverse, and there will be more and more role choices for actors. As an actor, it is impossible for me not to go filming. If I cannot change with the market, I will lose some opportunities and give up doing some things. In this case, it may not be impossible to pick up various types of dramas, although there are fewer dramas.

  The most important thing is that I am an actor, and every role I face is not divided into big or small, and there is no difference between more drama and less drama. What we learned in school is that there are only big actors and no small roles. Even if there is only one scene in a movie, it may have its own "color". This is how the teacher teaches us, and the people who come out of our tradition have this idea. The role is determined by you.

  Qilu Evening News·Qilu One point: How to adjust yourself to better interpret the screen image of high school students and even adult fathers?

  Shao Bing: I still know about high school students and young people. My two children are also high school students. As the father of a child of this age, I still feel very touched. I communicate with them every day. They are in the Internet age, and every child also has a rebellious period. I know all of these.

  But the role of the father is still human instinct. It is enough to express the love for the child in the most true way. It is enough to know what a father's heart is. The most important thing in art is to be authentic.

  Take Lu Tianming as an example. This character is not heavy and does not have many roles, but he is a character who runs through the logical thinking mode. The character logic is clear. There is no way to give the actor a large performance space. The actor needs to do his homework when acting. The past experience is connected with the present continuous tense.

  In fact, this role is very demanding of actors, and the role does not have so much for you. You need the actor to "feed" the role a little bit, fill and build him. It is also an actor's ability to use a sketch to outline the characters in detail.

  I enjoy acting with young people

  They call me "Brother Bing"

  Qilu Evening News·Qilu One point: How do you feel about cooperating with so many young actors this time?

  Shao Bing: I like acting with young children, and I enjoy it. They all call me "Bing Ge." These young people performed well. Lu Han, Wu Lei, and the group of little brothers and little girls next to them, I think they all played well.

  Wu Lei is also from the Beijing Film Academy. We worked together 12 years ago. He is still young, and he is so big in a blink of an eye. There is a lot of emotion, and he feels like his own child. Wu Lei is also very sincere in acting, and will be serious enough to make a little clumsy. Sincerity is the most invincible.

  Don't underestimate the children's acting style, they are not bad at all. But what young actors lack is experience. They must meet a good director to inspire them. Xu Hongyu, the director of "Crossing the Line of Fire", is very good. He tunes Lu Han and Wu Lei very well to the young actors. They show true feelings, and true feelings can break everything. This is very important. .

  It can be seen that the director can control these young actors. Don't use their traffic to "disguise" this scene just because they are traffic actors. This is not good, it will die. Still have to return to the play, acting, and the role itself, starting from the characters down-to-earth. Good works have nothing to do with fame or traffic.

  For young actors, many things are made by a little bit of grinding, and they need to be ground all the year round and soaked in the circle all the year round. There are too many acts, even non-professional people will have some insights.

 I am in a very comfortable state

  Enjoy the acting

  Qilu Evening News·Qilu One point: When the screen was popular with tough guys, you played a lot of tough but tender roles. Now the tough guys are out of date. Are you both lucky and troubled by choosing roles now?

  Shao Bing: I am really fortunate to have played so many so-called tough guy roles when I was young. But the tough guys in my dramas are not muscular tough guys. The tough guys are something in their hearts, that is, they are responsible. The audience can see in your eyes and believe you can take on something. I think a tough guy is responsible, even if he is very thin, he can be a tough guy.

  Now there is really little room for role selection, and there are not very good roles for middle-aged people. This is also an inevitable process in the film and television market. During the period of market development, problems and ills of this and that kind will arise.

  But I am a professional actor, what I can do is to love my profession at any time, when I am high or when I am low, and I am still immersed in my profession and will not give up.

  In the past, actors needed to be in the industry for a long time to become famous, but now the Internet age has come, the price of celebrities has been high, and young people have become famous overnight. What was impossible in the past is now possible. But you can't just quit because the Internet age is here, and you can't be frustrated because others have more possibilities. All we need to do is stick to it. If you can still enjoy your own profession, enjoy the characters and roles, you will get the respect that you deserve, and others will respect your professional ethics.

  Every period has things for every period. What everyone ultimately needs is a good drama and good content, but these will not pop out of the rocks. For a while, anyone can act and become popular, but when the commercial tide recedes, a lot of "dead". In fact, this is especially bad for young actors. The money is too good to make, and the name is too good. They will get lost when they act extremely utilitarianly.

  What our generation loves is our own profession. There will definitely be imbalances in our hearts, but we know how to survive in a harsh environment. Now web dramas have begun to pay attention to quality, and they are slowly regaining the trend to shoot some good dramas, such as "The Hidden Corner". In the end, we must pay attention to the drama itself. This is impossible when people use business, capital, and data to explore art. These things can create wealth, but it is impossible to create art, and numbers cannot represent art.

  Qilu Evening News·Qilu One point: 30 years of acting, has the performance attracted you, or has your own perception and attitude toward your profession changed?

  Shao Bing: I have been in the arts for 30 years, and various roles and emotions have actually passed through my mind, and they have all become memories.

  In the end, what an actor is acting is experience. As long as you don’t give up, as long as you keep immersing yourself in a circle, the things you take out will be pure and not feel low. When acting, there will be a kind of power in it, not coming. The money scammer is not here to play, nor is it a beggar-style show that doesn't care about it.

  The times are like this, there is no need to complain, just go on calmly, this is also quite comfortable. I am now in a very comfortable state. Fifty knows the destiny, this age will be very easy to go forward. When I was young, I filmed more, and now I enjoy this process very much. I shoot whenever I have a scene, and take every role and every opportunity seriously.

  How can I act if I can't see through many things? How to interpret complicated characters? One era creates the characters of one era. Each stage has different methods of drama and film and television. We can keep up with the pace of the times. The 30-year-old store has not closed yet, which is considered very good.