strange time this one that the cinema thought for the public moves away from the public. From the audience in movie theaters. The closing of the Baztan trilogy, which by its nature should be the queen of the card, goes to Netflix directly. Thus, Offering of the storm , by Fernando González Molina and with Marta Etura as master of ceremonies, becomes the ghost premiere of the week. On the Dolores Redondo novels , a thriller with an impeccable invoice advances from a development between confused and only implausible . In the background, the apotheosis.

VOICES / ÁNGEL GÓMEZ HERNÁNDEZ

The debutante Gómez Hernández reconstructs a good part of his cinematographic ideas in this rendered homage to the best terror of the 80s. An old manor house is the scene of a nightmare of old ghosts and new moviegoers' dreams. Rodolfo Sancho, Ramón Barea and Ana Hernández amuse themselves in rebuilding their Warren file in their own way.

OUR DEFEATS / JEAN-GABRIEL PÉRIOT

It is worth as much a fine cinematographic exercise as a sociological experiment. And like one or the other, it dazzles and even terrifies. A group of young people from a neighborhood in Paris lend themselves to re-filming some of the mythical scenes that make up the filmography of May '68. From Godard to Marker , round trip. Then they are crudely interviewed about their characters. And there is the document and the horror. There is surprise at the end. Not everything is lost. It is not only instructive, it is also devastating.

THE BEAST / LEE JUNG-HO

The premise arouses curiosity: a Korean remake of Olivier Marchal's French (and very dirty) film Unfinished Business. Two confronted policemen, a sadistic serial killer to exhaustion and a night that never ends. The problem is the lack of ideas of a director determined to bury each topic with another cliche. Be that as it may, the plot maze engages. And even subdue. Of course, the original is better. Much.

POWDERED LOVE / SUSO IMBERNÓN AND JUANJO MOSCARDÓ

Sex is only dirty ... when it's done right. Woody Allen does not fail. The newcomer to the director struggles in a comedy as tongue-in-cheek as it is procacious. Let's say that the lack of rhythm is made up of by daring, sex and words ending in az.

MY BROTHER CHASES DINOSAURS / STEFANO CIPANI

Every Friday deserves a movie to feel good. And this is the option. With Rossy de Palma inside, we are facing a comedy as familiar and soft as it is soft and familiar. Nothing more tender. The arrival in the family of a new brother with Down Syndrome guides a journey through adolescence and early youth. It cries.

PORTRAIT OF A LOVE / STELLA MEGHIE

If Valentine, as a saint and a holiday, ever made sense, it was for films like this to be produced. Out of date, Stella Meghie makes a heartfelt and well-braided story of love and affection. It makes you cry (a lot), but it is what it is.

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