Riyadh sent cold messages to the tombs of Hungary's King Louis II, Pope Clement VII, warrior chaplain Pall Tomori, Roman Emperor Charles V, Archduke Austria Ferdinand, the Safavid Shah Tahmasb, the Italian sea prince Andrea Doria, the first knights of Malta, and emperors of the Habsburgs.

And Riyadh says in its message, "O you who lie in the graves, who defeated you, the grandson of Muhammad Al-Fateh, and destroyed the dreams of your empires, we have won for you, and we removed a plaque that was referring to a street bearing his name in Riyadh: Sultan Suleiman the Magnificent Street", which prompted many tweeters to ask who will be replaced Riyadh Suleiman the Magnificent? Some suggested calling the street Sisi or Haftar.

The Saudi media marketed a label called "The Criminal Suleiman the Magnificent," which prompted the presenter "above the authority" to comment on them "and it remained to accuse him of killing the children of Yemen and cutting the bodies of opponents." He then asked, "Is Suleiman the Magnificent infallible? No, and is the entire history of the Ottoman caliphate glorious?" Certainly not, otherwise, when the Ottoman caliphate collapses, it has its own, and it has what it must.

Saudi Pirates

The World Trade Organization ruled in the case of the Saudi pirate channel "B-Q" which publicly steals the rights of the Qatari international sports television network "BN Sport", that Saudi Arabia has violated the protection of rights and has not taken criminal measures against pirates on its soil, and piracy is the actions of gangs, not states. As if we are hearing the timeless phrase of the Turkish praise passing through the ocean in a wasteful way: "mafia".

Saudi Arabia is now under supervision to implement the provisions of the decision, but if it decides to appeal the ruling, Qatar will start its procedures before the organization, and sports, artistic, recreational and emotional counselor Turki Al Sheikh must attend the "Fitness Club" to defend Saudi Arabia.

As for Al Arabiya TV, it insists on the desirability of the Arab viewer in general, and the Saudi in particular.