China News Service Client Beijing, June 14th (Reporter Zhang Xi) "You have a message from National Treasure, please check it!"
On the 13th, with the familiar opening prompt sound, the highly anticipated third season of the documentary "If the National Treasure Talks" was broadcast on CCTV.
Since Douban scored 9.4 and 9.5 in the first two seasons of this documentary, after the third season aired, the full-screen barrage was "checked" and "finally waited for you, but I didn't give up."
Program video screenshot
Through the Neolithic Age, through the Warring States and Qin and Han Dynasties, the third season of "If the National Treasure Talks" focuses on 25 national treasures in 18 museums from the Wei, Jin, Southern and Northern Dynasties to the Sui and Tang Dynasties, covering calligraphy, painting, murals, portrait bricks, sculptures, statues, Gold, silverware, weapons, documents and other categories.
This season is still a 5-minute volume per episode, and 5 episodes are broadcast daily, continuing the styles of the previous two seasons, allowing precious cultural relics to walk from the museum to the public, telling them in the gesture of a neighbor’s friend and in a peaceful and close style. historical story.
On the first day, five national treasures, including the "Luo Shen Fu Tu", Wang Xi's "Lanting Preface", the Dragon Dragon, the Seven Sages of Bamboo Forest, and the Rongqi Period brick paintings debuted.
Program video screenshot
The so-called Yi people are on the water side. Following the dynamic Luoshen Futu, Cao Zhidong's journey back to the fief, the breeze blew, and the viewer moved. In the magnificent fairy poses, people saw the beauty of Luoshen, who was like a stunned and graceful dragon; a glorious autumn chrysanthemum and a blooming spring pine. In "A Glance at Hong", love and beauty were almost disillusioned, and regrettably turned into a traveler's last acacia gaze.
Cao Zhi and Luo Shen's "fairy encounter" in Luoshui made many netizens sigh and praise, "like watching a love movie on paper."
How did Wang Xizhi's "Lanting Preface" Shenlong be written? Where is it? In the third season of "If the National Treasure Can Talk", the big data algorithm simulates the authentic calligraphy, reproduces its creative scene, and takes the audience to the "Huihe Nine Years" in Huiji Mountain.
Program video screenshot
"Simple is better than complicated, and there is no way to win," the audience seems to hold Wang Xizhi's pen and improvise the first line of the world-"Lanting Preface". Words are like people, and the text contains the words. Wang Xizhi's temperament, literary grace, and calligraphy blended perfectly and jumped on the paper.
There were many celebrities in the Six Dynasties, and the characters were as happy as they were. Wei Jin's "First Literary and Art Troupe"-"Seven Sages of the Bamboo Forest" "Debut" in another way in "If the National Treasure Can Talk".
Brick paintings of the Seven Sages of the Bamboo Forest and the Rongqi Period were unearthed in the tomb of Gongshan, Xishan Bridge, Nanjing. The era is roughly locked in the early period of the Southern Dynasty. This group of pictures brings together the seven sages in the bamboo forest during the Wei and Jin dynasties and the hermit period in the spring and autumn period. It presents the earliest surviving group portraits of the seven sages. It is also the first appearance of this lineup in the known works.
Program video screenshot
The eight characters are chic in posture, and are symmetrically located on the two walls, separated and connected by different kinds of trees. This scene is like a dream, making the future generations of literati infinitely yearning.
Ji Kang lightly sighed: "Guang Ling San" is absolutely forbidden at this time, and it ends in forty; Ruan Ji drives alone, at the end of the road, crying and tearing it back; looking at the misty mountains; Liu Ling, who is drunk and lying down; Yin Xiang Xiu who recites "Thinking of Old Fu"; Ruan Xian who is good at playing; Wang Rong who is good at talking.
The models of the Six Dynasties blew the refreshing "mountain breezes" of the Wei and Jin literature and art to the audience, and also described the moving cultural legends. Some netizens teased, "This is the so-called big party!"
After the program was broadcast, many netizens praised it. The third season's novel technical performance and innovative interpretation also opened the eyes of this year's netizens. "Even the typos are not amended, so it is true to restore natural writing. Wang Xizhi should not face Is it right?" "The puzzle of the seven sages of bamboo forest and the brick painting of Rongqi period is very brain-burning. This is the legendary mashup style!"
Program video screenshot
The creative team not only paid attention to the well-known “Weijin Demeanor” and “Datang Meteorology”, but also focused more on civilized material evidence including manufacturing, engineering, rule of law, and foreign trade.
For example, "Lishibao Pattern Brocade" deconstructs the silk process of the Tang Dynasty from the perspective of a modern designer, and interprets the "New Tang Dynasty" with the "programming" thinking that is easy for modern people to understand. Another example is "Astana Figurines and Documents", which restored a litigation dispute in the Tang Dynasty in the form of a theater.
The third season focused on the Wei, Jin, Southern and Northern Dynasties to the Prosperous Tang Dynasty. The film's general director Xu Huan believes that this is a period of awakening of literati consciousness and flourishing art, and also a period of inclusiveness and diversification of Chinese civilization.
The film's chief producer Shi Yan said that the third season continues the style of the previous two seasons, but has made breakthroughs and innovations in content and technical presentation. The heavy weight of cultural relics is expressed through the most modern and popular art methods. Called the "light cavalry" of the documentary. (Finish)