Chinanews.com, Hangzhou, June 9 (Tong Xiaoyu) The dream scene of Du Liniang’s garden is restored in the real garden. "Solo Dance... This is a "wonderful night" dedicated to the Zhejiang Provincial Museum.
Kunqu Opera "Peony Pavilion" performance. Wang Gangshe
On the evening of June 8, the Zhejiang Provincial Museum launched the "Wenlan Impression" immersive experience activity. In the night, lead the people to watch piano, chess, calligraphy and painting, taste poems, wine and camellia, enjoy real scenery and experience traditional Chinese culture.
Chinese clothing show. Tong Xiaoyu photo
The venue for the event is the Gushan District of the Zhejiang Provincial Museum. Located on the edge of the West Lake, the building is a typical Jiangnan courtyard building with pavilions, pool bridges, rockery and stacked stones. On the west side of the building, there are the ruins of the Emperor's Palace in the Qing Dynasty and Wenlan Pavilion, a famous royal library in Jiangnan.
Chinese clothing show. Tong Xiaoyu photo
At that night, the architectural spaces such as Wenlan Pavilion, Royal Seat Room, Taiyi Youth Room, Arhat Hall, and Lion Tiger Rockery were opened for the first time as an experience place at night. In the light show, the Gushan Pavilion area is full of colorful lights and dreams.
Opening dance performance. Tong Xiaoyu photo
As the doors of Wenlan Pavilion opened slowly, a magnificent and beautiful Han Tang dance opened the prelude to the experience activities, and the costumes and makeup of Han Jin, Tang Song, Ming and Qing dynasties were reproduced one by one in the garden.
Na Sijia from Russia graduated from Zhejiang University with a major in journalism and communication. She is one of the performers of this Chinese dress show. This year is her tenth year of exposure to Chinese culture.
Wang Teng sewed Tang suit. Tong Xiaoyu photo
"I especially like cheongsams. Especially by the West Lake, once I put on my body, I feel more like Jiangnan." For this reason, in the Chinese costume show, Na Sijia chose to appear in cheongsam.
She said that in the past, she didn't have a deep understanding of traditional Chinese costumes. Today, she communicated with other performers and learned the history of costumes of each dynasty. "It can be said that it has refreshed the understanding of China. The Chinese culture is really broad and profound."
In addition to the Chinese costume show, in the Taiyi branch of the Gushan Pavilion, there are also literati wielding scrolls and fiddles, recreating the elegant style of the reading lounge during the Guangxu period; there are two people in the fun pavilion playing against each other; in front of Luohantang , "Hangzhou City Arts and Crafts Master" You Xiaoting is making Hang Fan, and Gao Lihong, a non-genetic successor of Shangcheng District, performs Hang embroidery.
The night experience activities are splendid, but what makes people feel traversed is the free landscape painter Wang Teng who is tailoring Tang suits in front of the Emperor Stele in Guangxu.
At a square table, Wang Teng, with a beard, wore his toe and wore a round-neck narrow-sleeved robe of the early Tang Dynasty, sewing a Tang suit with needlework. He graduated from the China Academy of Art, learned the Tang Dynasty clothing in the process of studying painting, and began to make his own.
"Like the clothes I wear today, I wear them every day. I have done a lot, and I am not afraid of changing them even in the rainy season." Wang Teng said, "I'm starring" today, I also want to use this opportunity to spread it to more people Chinese traditional culture.
Chen Ping, director of the Propaganda Department of the Zhejiang Provincial Museum, planned this event with this original intention.
She said this was an attempt of the Zhejiang Provincial Museum on the occasion of the arrival of China's "Cultural and Natural Heritage Day". Wenlan Pavilion is a key cultural relics protection unit in China and an important part of the world cultural heritage West Lake cultural landscape. Carrying out this experience activity at night, it is hoped to lead the audience to a deeper exposure to traditional culture. "Cultural heritage belongs to society, to you and me. All cultural heritage achievements should be shared by everyone." (End)