Throughout the holy month, the stars of drama in the Arab world compete not only in providing the most important artistic roles, but also in the stakes of difference and diversity in attracting fans of the silver screen and drama lovers every year, at a time when domestic isolation was imposed, due to the spread of the Corona virus. The new, for the first time, exceptional follow-up conditions, will direct attention and demand towards Arabic drama in particular, to multiply the views of all the competing works this year, which we stand today on its most prominent features, and its most unique and personal artistic characters.
Once again, for the second year in a row, Egyptian star Yasmine Abdel Aziz succeeds in getting out of the cloak of comic roles, with which she has been printed to this day, her long artistic career, whether in cinema, theater or radio works, through to drama and television, as this year presents a different character The milestones in the new social drama “We Love Tani Les” by Mustafa Fekry and the writer Amr Mahmoud Yassin, in which she sits as usual with a constellation of stars, such as Karim Fahmy, Sawsan Badr and Laila Ezzal Al-Arab, on the throne of the ultimate championship, through the figure of the successful interior designer, "Ghalia", That fail the exam Love and fulfillment of marital relationship with her husband, artist Munir Sharif, the director who hit him repeated his successes and his fame in the limitless field of advertising and arrogant disregard.
Ironically
At first glance, Yasmine Abdelaziz’s appearance appears marked with renewal, compared to her previous Ramadan appearance in the series “Last to the Nation”, as the character bears the responsibility of the entire work thesis, by addressing a social issue from the heart of reality, which is the issue of divorce and the reasons for the integration of women again in Arab societies, Which necessitates tackling a dramatic "contemporary and open" drama in which the work, through Abdulaziz’s personality, is guaranteed by a kind of boldness and transparency in dealing with the issue of love after the first time.
On the other hand, the work since the first episode reflects the heroic struggle of the heroine and her desperate defense in order to preserve her family entity, and to continue in a relationship that foretells all indications of her certain failure, while the events have evolved since the beginning of the series’s episodes, to reach separation after an argument between the heroine and her husband, then return to live With her daughter in her parents ’house next to the mother and grandmother, in a difficult attempt to overcome life’s crises and frequent hiccups, and pursue her career path, which this time places her on the path of young businessman Murad Al-Swaify, who performs his character in the series, artist Karim Fahmy.
Comedy between the lines
In the context of the same changes that have witnessed the trends of a number of Ramadan drama stars this year, we note that Yasmin Abdulaziz's performance is based on his same strong foundations, capable of playing a game between the different contradictory feelings and betting the character's dramatic depth, which the star dedicates in her various scenes, even the most simple, mixed Her varied appearances and her constant movement between the various contradictory feelings in her new emotional struggles at work, with a beautiful comic flair, close to the heart of the viewer mostly embodied in her relationship with her mother and grandmother who suffers from Alzheimer's, and even the spineless housekeeper Iman Al-Mashkhasa.
At a time when the scenes of the work were accompanied by a renewed directorial vision that represented the aesthetics of the image, its most prominent pillar, after the work makers succeeded in the art of "shaping the place", through a semi-"ceremonial" scenario in which they wagered on the bright colors and successful modern decoration arrangements in the process of "furnishing" The viewer.
Reality projections
In another context, and in response to what was reported in the Egyptian mass and artistic circles, about the similarity of the experience of the star Yasmine Abdel Aziz Al-Bitterah in the series, by experimenting with her real separation from her husband, the star sought to deny the rumors that the new series is nothing more than a projection of her separation from her husband Producer Muhammad Halawa after 17 years of marriage. At a time when the author of the work confirmed that the story of the series and the dramatic treatment were written two years ago, and then took the title of "The Six Verses", without talking about the heroes of the work who were candidates to go through his experience on the screen. However, a follower of the events process notes the great similarity between the story of the series and the experience of the separation of Yasmine Abdel Aziz, and what she revealed about her new relationship with the actor Ahmed Al-Awadi, which came after the news of her ex-marriage to actress Reham Hajjaj. The star Yasmine Abdel Aziz is considered one of the most important artistic personalities that attracted not only the attention of the audience, but also the attention and attention of critics in Egypt, who followed her careful and sober career, both in cinematic works that exceeded 20 cinemas today, two comedy theatrical works, and five radio works. On the other hand, Abdulaziz managed to present multiple roles and characters on TV, the most recent of which is the series “For the Last Breath” Ramadan 2019, which once again attracted the attention of artistic critics and their audiences in the Arab world.
Yasmine Abdulaziz’s look is marked with renewal, compared to her previous Ramadan looks.