<Anchor>

We mention a lot of simplicity as an aesthetic feature of our ancient art. But splendor and dignity were also key elements.

I am a journalist.

<Reporter>

It is our traditional rug that Japanese people named Chosun Iron after spread through Chosun News Agency.

It depicts the life of the four generations, and the Chinese-style people show the fashion of the time.

Five cranes with their wings wide open show off their splendid decorative culture.

Shipbuilding 3D painting jijikji, which does not remain much in Korea, is also a long time.

After drawing the picture, it is chopped up and weaved with white paper, string and file of the same size.

[Kang Min-woo, Chairman of Jongno-ji, Korea Association of Korean Artistic Art: I think these works are very important in the sense of revitalizing our disconnected culture.]

The earthenware of the Gaya era, in which the lightning gates remain sharp, adds human beauty to the naturally distorted shape.

Glasses were brought to Joseon in the 16th century, and it was courtesy to remove them in front of seniors or at official statues.

The material of the lens was Gyeongnam Namseok, and it is characterized by the fact that the legs are made of thread.

[Representative Yang Yang-sook / Yenar: How did people who have not studied in the past beautify the sense of proportion or formativeness?

This exhibition highlights the glamorous and imposing aspects of our ancient art that transcends simple beauty and presents new aesthetics.