• All the looks of the Queen Letizia in Cuba

I am amazed at the crazy and trapisonditas languages ​​of this country that seem to believe, so it is read on the networks, that SSMM have gone on a pleasure trip to Cuba , to take a walk as who says, and do not understand that they are bound there by the acting Government, reeling one act after another to which more exhausting.

Among them - the discordant voices - you have to believe that HM the Queen has gone to epatar the famished locals with their European costumes, without analyzing that most of the dresses she has worn in Havana are repeated and very amortized, chosen justly so as not to overwhelm the Cubans.

However, Mrs. Letizia seems oblivious to the "mechantes langues " who are of immeasurable foolishness and has continued with her Spanish "touch of class" and finally premiering two new dresses to please the Cuban public, which has undoubtedly appreciated this gesture.

The first , at the reception offered to the Spanish community, was a Fortuny pleated dress from the Nina Ricci house of hellenic lines in an "acqua" tone that complemented with a bag and shoes in the tone of the Magrit brand. The result was a very refreshing total look. I really like it when he resorts to this historic "maison de luxe" founded in 1932 and, currently, belonging to the Puig group. Among other things because I have met at least six artistic directors of it, some bad and some great.

For the dinner offered by SSMM to the president of the Republic of Cuba, and Mrs. Lis Cuesta , Doña Letizia premiered something more experimental of Maje , the French brand she likes so much. It was a make-up dress on which she wore a transparent shirt, almost a "trench coat" in organdi of the same hue. At first glance, the set was somewhat disconcerting, since although of enormous innocence, the result was somewhat mischievous.

I hope that in the long run the 'hater's in networks will appreciate the sacrifice that SSMM have made in Cuba absent from Spain at a time when the most toxic political beans are cooked behind them.

According to the criteria of The Trust Project

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