Urdiales could be that old artist who raised sculptures among the ruins of the bombings. The ugliness of the oldest bull in the Victoriano del Río swatch did not invite beauty. Neither their mobility fast of class, rhythm and uniformity. A kind kindness with no definite form remained under the stones. Diego already picked it up with his light cloak to show him a path of atonement planted with veronica. The last cinqueño released a kick on the horse like the American oxen from the rodeos. Then it was chopped as it was allowed to do. Arnedo's classic felt the breath of home and offered his chisel and his flame . On a path of tasty helped by high that led to the mouth of irrigation. And there, the onslaught that rooted quality and finishes in equal parts uniformed beauty. On the left he lent himself sometimes there, sometimes only here. Always with the qualities of a townhouse in Seseña ... The bullfighter dressed and decorated everything. And splashed it with old foams. As the epilogue on the legs. A slap was the exact climax to give it a roundness. And achieve closeness to the true weight of the two ears.
Pablo Aguado followed the trail of art, joy in continuous session. A bull bull, pitorrón, low profile, came out absent-minded and distracted. The frustration for the incorporeal veronica of the Sevillian. He dug, protested on the horse and hurt in flags. Little pointed the little man and, nevertheless, Pablo intuited the exact measure for his own: the montera offered to the tenants foreshadowed goblins. Aguado began work with its soft patented principle. Only this time the spark of a trench supplied the singular ole that covers the change of hand in front of turned crutch. And he began to accompany the bold humiliator, without disturbing and outside, with a nana's compass. As if kneading bread and preparing it to bake it over low heat. The flame increased the intensity in the last two series that achieved wonders not seen and embroques stopped as zenith of the work: a top batch on the right hand and another categorical round to feet together and facing on the left. Of a supreme plasticity on flights. The crunch of the wood of the split stick of his crutch sounded like an echo of the final blow. The little and good material was made in two other ears. I have come to the conclusion that in Logroño they don't know how to ask for one. And the box is daring.
If it were not for the sword, El Juli would have swayed in the exit on his shoulders for the perfect interpretation of the room. From his background tremulous gentle gentleness. The last five-year-old Victoriana wore a big bull but was crowned by her closed face. Juli read the discourse of bullfighting on the afternoon of art. Of the temperament and the cadence. Of the times and tempos. That was the exact respite for the kind nostalgia of the Guadalix bull. And it set a fluid and round task. Important thing because the run aspired to change the saying and flip it. The power bullfighter, to accompany; the one of art, to send . This coined a few minutes before. Steel deprived him of the exit on his shoulders, not the unanimous recognition of La Ribera.
Pablo Aguado had the detail of giving the last bull to the consecrated figure. That went on foot. So deflated the large red of Aguado closure as the chestnut of fine opening horns of El Juli. The evil of sad bravery flooded their spirits. A span of tongue out, the discouragement in the absence of thrust, the total dislocation and the absolute break were the stages of his voracious decrepitude. To them the fifth coarse was added. Otherwise: he grabbed the floor and defended himself sharply from the short crutch of Urdiales. Another way to give up. There was no news on that staircase of the bravery of Victoriano del Río.
Through the big door, the same ambience that throbbed in the stretches was breathed, the air of an afternoon pregnant with bullfighting lights: Urdiales and Aguado as a cross to guide the procession.
VICTORIAN DEL RÍO
El Juli, Diego Urdiales and Pablo Aguado
La Ribera Square. Tuesday, September 24, 2019. Fourth fair. Three long entry rooms. Victoriano del Río bulls, four cinqueños (1st, 2nd, 3rd and 4th), an ugly staircase; the 2nd was left with inequalities; well the meek 4th; kindly the 3rd; deflated the 1st; grabbed to the floor and defensive the 5th; deflated the 6th.
The Juli, of Nazarene and gold . Deep prick and hair (silence). In the room, two punctures and corner lunge (greetings).
Diego Urdiales, navy blue and gold . Big lunge something forward (two ears). In the fifth, lunge (silence).
Pablo Aguado, of navy blue and gold . Lunge pierced (two ears). In the sixth, half lunge and four hair loss (silence). He left on shoulders with Urdiales.
According to the criteria of The Trust Project
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