• Sonorama 2019.Nacho Cano prepares his first concert in 22 years: "He had to go back big"

They are everywhere. Taking two steps in Aranda de Duero without finding a limited group of young people completing precompetitive elbow exercises is impossible. Good account of this is given by the merchants, who empty the box in perfectly millimeter shifts; Less grace is done to the oldest of the place, who long for the times when the jarana was limited to a small court outside . The twenty-second edition of the Sonorama Ribera festival that welcomes, enjoys and suffers from the beautiful and picturesque town of the Duero side, obeyed in its intentions for this year the best of the Olympic slogans: faster, taller, stronger.

Thus the panorama, The boy of the mortgage and his band of rhythms ska, punk and cadence reggae was in charge to ignite the wound with a single one of battery that put to test the new acoustics of the enclosure: three walls of scenes that turn their backs , from largest to smallest. Beyond the fences, an audience that was around twenty gave everything waiting for the hard and conscious rap of Tote King and A Contra Blues .

By the time Tequila's first guitar predicted a safe diploma, the sun left and allowed the Argentines to opt for a medal from the comfort of nostalgia. Even with an audience that would place them before in a jingle that in the prestigious place they occupy in Latin pop-rock, those responsible for Tell me that you love me were able to shine with their own light. In a short hour of the show , which was obviously short for both the public and the band, there was time to recover the recent soundtrack of Superlopez and put everyone to jump with his most famous hymn as a climax.

The now duo formed by Ariel Rot and Alejo Stivel said goodbye forever to the Sonorama with all its great successes and a unique message. "Time passes for everyone, even for millennials who are infiltrating the public. Thank you for giving us all these years," Stivel said excitedly before taking off his hat.

For the prime time there were three ways of understanding rock: the pure and torn Tarque , the pija and precious Stool and the postmodern and indie Miss Cafeina . True to its commitment to national music since its genesis in 1998, the Sonorama would close its first evening of 2019 with serious gold contenders: Varry Brava's hearth and Chimo Bayo's longing to bite metal.

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