In its cultural season 2018-2019, which will be held under the theme of "Zayed: The Memory of the People and the Identity of the Nation", the Union of UAE Writers and Literature in Abu Dhabi in cooperation with the Abu Dhabi Theater hosted a play by Wassini, composed and directed by Saleh Karama Al Ameri, Abdullah Al Saadi, Wad Siraj, Ismail Khaled, Basil Ibrahim Hassan, Yousif Khaled, Maram, Abdullah Al Hammadi, Rashed Abdullah Al Kathiri and Hamdan Al Kindi. This show is a re-production of the play, which was first shown in 2013, and which emphasized dignity that it is dear to its heart and correspond to the changes that occur around us. There is no doubt that the narrowness of the theater space in the Writers' Union made actors close to the public through their movement, so that they became very close to the public seats and did not have to use microphones to deliver their voice. Everything was direct and the lightness of the movement was part of building the direct relationship with Attendees.
Karama not only presents himself in the play as a writer and director, but also plays a representative role, and sometimes feels that he is pursuing his management of the actors, but very close and in the form of a representative.
As a spectator, there will be a dialogue between a beggar and a wealthy man leaving his mobile phone and a bag full of money in a coffee shop where the beggar refuses to drink coffee on one of his tables so as not to bother the customers. The story begins with the word "give me", which is connected to the world of beggars. A group like a chorus and faces to the wall as if they were listening to one man's fist on the target, but you will not imagine that these beggars will also be rich, and their goal is the beggar who got rid of him in a train station. According to Karama, who told Emirates Al-Youm, this direct interaction was inspired and learned through workshops with British plays. He added: The conflict in the play is not only between the rich and the beggar, but between the latter and those who rise from it. A social class, such as his struggle with the cafe worker, the poor of course, and his conflict with the choir belonging to the world of beggars, who want to get rid of their competitor in begging .. But the bag of wealth and his phone, which decided to give the beggar revealed this distortion in society as a whole, The cafe worker and the beggar, who asked him why Dah give him coffee, and his refusal to sit on one of Taulath, and accept the thief to be of his customers, to respond to the cafe factor that thief alone knows that a thief.
On the other hand, throughout the show, the beggar refuses the gift of the rich who is repulsed by this refusal, and tries to make fun of everyone who works to persuade him to accept the money bag and the phone. He finds a woman who has a beautiful woman the way to convince the beggar. And the story of the apple, where it is already convinced.
The word theater
In the official definition of the play, Salih Karama al-Amiri wanted to start with the title of the theater speech, which he wrote after that: "We offer a theater to let us know that we are still alive ... we are still breathing, through which we feel that our souls are fixed."
Support new
As usual, the director and playwright Saleh Karama Amiri, who likes to introduce new faces always, appeared in the new version of the play Wassini names of young promising are: Mohammed Al-Muthafari, Abdullah Saadi, Waad Siraj, Ismail Khaled, Basil Ibrahim Hassan, Youssef Khaled, actress Maram, Abdullah Al-Hammadi , Rashid Abdullah Al-Kathiri, Hamdan Al-Kindi.