On May 15, the launching ceremony of the public demonstration and observation experience activity of the 2021 Liaoning Provincial Cultural Relics Protection Project was held in front of the Feilong Pavilion of the Imperial Palace in Shenyang, and this opened the 2021 public demonstration activity of the second-stage oil painting protection and restoration project of the Shenyang Imperial Palace. prelude.
This public demonstration activity showcases the traditional techniques of protection and restoration of ancient architectural oil paintings, allowing the public to understand the principles and concepts of cultural relic protection, understand the basic knowledge of ancient architectural colored paintings, and spread and promote traditional restoration techniques.
The Feilong Pavilion, the repair site for this observation experience, is located on the east side of the Waichao area on the middle of the Forbidden City Road in Shenyang. It was built in the 11th to 13th years of Qianlong. It is a hard-mountain-style brick and wood two-story pavilion.
Both the upper and lower layers are used for storing items.
Under the eaves, there is a color painting of golden thread and big golden spinner, and the heart part is made of lifen and two dragons.
The extant eaves colored paintings are repainted colored paintings in the 80s of the last century. In the natural environment for a long time, the paint layer is severely peeled off, and the surface of the colored paintings is polluted, resulting in blurred patterns of the colored paintings, and the overall blackening of the colored paintings. Difficult to distinguish, seriously affecting the appearance of the building and the protection of wooden components.
The inner eaves of the Feilong Pavilion were rebuilt after the founding of the People's Republic of China. The paper on the second floor of the ceiling was completely peeled off before repairs.
This color painting protection and restoration project will restore and repaint the outer eaves of the Feilong Pavilion, and restore and restore the inner eaves and ceilings.
On the same day, at the Feilong Pavilion maintenance site, 20 event experience personnel listened to experts to explain the ancient architectural color painting process, process and Feilong Pavilion ceiling paperwork and participated in the experience.
(Han Hong produced Wu Rui in the ocean)
Editor in charge: 【Luo Pan】